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Watch 4K Mp4 PORN Peeing all over hiss Video 04:63 min.

Pix of sexy girls. Free adult cam roulette. Sex Escort in Putian. Boys hand on my pussy. Naked chocolate girl indian. Close girl anal fuck. Aunty hot saree photos. Mixed Long Super Pee Sounds Well, here it is, my very first over half hour sound file with me, Victoria, peeing, with a little remote help from Cascade - thank you! I'm hoping to do all the different sections in the next few weeks, so you can choose which of my super pissing sounds you prefer. I've been having trouble with the mobile website, but I've still put this first one together Peeing all over hiss a grand selection of power, tinkle, quiet, stop start. Some of my pees I found difficult to get out because my bladder was so overfull Peeing all over hiss Nobody can piss like I do! My super pisses all last over a minute, some are nearly two! God bless my super bladder!! Just click on the PayPal and pay 3 pounds and I'll send you the download link xx The recording is compressed mp3 and it's 34 minutes long. Your browser does not support the super Peeing all over hiss audio element. Or Victoria can send you a Peeing all over hiss invoice. Stop-Start Peeing Below is my second super peeing presentation for you, this one is my pelvic floor excercises, my stopping and starting my pee stream, there's a lot of squirting and each super pee I do is nothing less than 30 seconds, many are more than a minute long. Here love squeezing and tensing my lovely bladder and making the sexy hissy noises that I'm training my pussy to make! My lovely clear hot pee stream squirts and hisses and there's some good bursts of me gushing my piss, I think all of those unique girlie pee sounds are so incredibly sexy, Peeing all over hiss hope you do too! This file is only 3 GBP!! Cute iranian nude photo Blood from virgin porn.

New double penetration videos. My lovely clear hot pee stream squirts and hisses and there's some good bursts of me gushing my piss, I think all of those unique girlie pee sounds are so incredibly sexy, I hope you do too! This file is only 3 Peeing all over hiss Powerful Gushing Piss My third audio mp3 pee file is my power pissing section, it's where I pee full tilt into the pan, any pan!

These are really desperate pees, I was really on the edge. Longest one is 2. There's a funny sounding one as well, it's one where an Peeing all over hiss on one of my pussy lips sends my pee stream into a crazy, twirly wirly fit! This pissing is such fun! This recording is 31 minutes long, it's 3 UK pounds and it's a compressed mp3.

Quiet Secret Pissing, Here Peeing all over hiss my fourth pee audio sound file, it's full of quiet, hushed up pees that I do when I think someone is either listening to me or they're waiting outside the loo door. The longest one on this download is 2.

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Well thanks! How communication changes when we cannot mime the world: Experimental evidence for Peeing all over hiss effect of iconicity on combinatoriality. Elsevier B. Imai M, Kita S. The sound symbolism bootstrapping hypothesis for language acquisition and language https://emo.wadesigns.london/post15479-daxoxe.php. How arbitrary is language?

Thompson PD, Estes Z. Sound symbolic naming of novel objects is a graded function.

Peeing all over hiss

Q J Exp Psychol. Ohala JJ. Ethological theory and the expression of emotion in the voice.

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Christiansen MH, Monaghan P. Division of Labor in Vocabulary Structure: Insights From Corpus Analyses. Top Cogn Sci. Phonological typicality influences on-line sentence comprehension.

Hot pornn Watch Video Gold porno. Both are wonderful to hear for me. Anyone else enjoy this? While I think it's a little freaky to listen to women pee through thin walls, I guess there's no harm in it as long as they are not visible to you or you aren't doing anything illegal. Have you noticed that it sounds different when you are in an adjacent room versus on the floor below? LOL - yes, I think I do. Perhaps it is a little odd, but I don't think there's harm in it given that I'm in a separate room. It's a nice aural experience for me, is all. Yes I love to hear some one pee. I think I am watching them, or they are peeing on me. It a real turn on. I enjoy it even though it may be kinky. Yes, I also enjoying hearing women pee. Back when I was 21, I was attracted to this year-old woman classmate in university. The library had two bathrooms side by side; they were separate little rooms where the doors could lock, not stalls. I went in one and she went in the other. I actually didn't need to use the bathroom. I just wanted to hear her pee. I placed my ear to the wall. It took a while for her to start I figured that she must have taken off her skirt and pantyhose completely, maybe even her panties too and hung it on the hook on the door. It started off with a brief, very short stream hitting the water and then she let go for about a minute. It was heaven to my ears. Finally it stopped, I heard the toilet paper roll going and I could swear she let out a sigh of pleasure as she was wiping herself. Another long while passed before she finally flushed probably getting dressed. I love to hear the sound of women peeing. This is true for only wives and girlfriends though. I'm not a creep! The lovely "sssh" that the female package makes! I love to listen to my guy pee when we are outdoors and his powerful stream is splashing against a tree. My poor stretched, overful, distended bladder. My distended bladder recordings when I'm drunk and I don't know what I'm doing! When I get drunk, my brain gets confused and so does my bladder, although it can't take much more, I don't feel the need as it's quite numb, it's holding so much piss and the signals to my brain are being ignored, my bladder is so stretched, it's probably holding twice as much piss before any pain kicks in and sends an urgent message, then, this finally makes me realise that I need the toilet - badly! Sometimes, when I let go and I finally start to pee, it's very difficult to start the flow and the pee comes out really slowly, it's quite locked up and it worries me. In some of these particular recordings, there's some lovely soft gentle hisses of pressure where I'm trying to push my stuborn pee out! My shorter pees - 30 seconds to a minute - the overflows to take off the pressure, the pees to let the farts out and the ones to drain my bladder before a nice long hold. I get so full of pee and I'm enjoying the hold so much I go and let the pressure off a bit and so there's some of those quick pees on here too where I just do a little drain, or if I'm in a hurry I sa y , "I just want to blow my nose", then I do a full power quick gush. Those of you who've read my other pages know that I get quite drunk after my meetings and when I am, the simplest thing like pressing record on my phone becomes such a difficult task, but somehow I manage it, BUT what I've got to do is pee and skillfully miss my phone with my pee jet AND without it dropping down the toilet. But then when I'm drunk, I can't seem to hold the phone properly and sometimes it ends up being turned off and that's the annoying part! The result being that only the beginnings of some real classic, bladder busting pee sounds are recorded. This will have all new long pisses from my fab bladder, I'm always excited when I set my mind to new pee projects, thank you so much for your messages of support, they really cheer me on! PLoS One. Carlin G. MPI Media Group; Lectures on sound and meaning. Cambridge, MA: MIT Press; Sapir E. The status of linguistics as a science. Language Baltim. JSTOR; ; — View Article Google Scholar Kohler W. Gestalt Psychology New York, NY Liveright. Phonological iconicity. Front Psychol. Arbitrariness, Iconicity, and Systematicity in Language. Trends Cogn Sci. Elsevier Ltd; ; Lockwood G, Dingemanse M. Iconicity in the lab: A review of behavioral, developmental, and neuroimaging research into sound-symbolism. Sound—meaning association biases evidenced across thousands of languages. Proc Natl Acad Sci. Vigliocco G, Kita S. Language-specific properties of the lexicon: Implications for learning and processing. Lang Cogn Process. Perniss P, Vigliocco G. The bridge of iconicity: How communication changes when we cannot mime the world: Experimental evidence for the effect of iconicity on combinatoriality. Elsevier B. Imai M, Kita S. The sound symbolism bootstrapping hypothesis for language acquisition and language evolution. How arbitrary is language? Thompson PD, Estes Z. Sound symbolic naming of novel objects is a graded function. Q J Exp Psychol. Ohala JJ. Ethological theory and the expression of emotion in the voice. Christiansen MH, Monaghan P. Division of Labor in Vocabulary Structure: Insights From Corpus Analyses. Top Cogn Sci. Phonological typicality influences on-line sentence comprehension. Bergen BK. The psychological reality of phonaesthemes. Linguistic Society of America; ; Toward a theory of semantic representation. Lang Cogn. Emotion words, regardless of polarity, have a processing advantage over neutral words. The Representation of Abstract Words: Why Emotion Matters. J Exp Psychol Gen. On elementary affective decisions: To like or not to like, that is the question. Schmidtke DS, Aryani A. Phys Life Rev. Elsevier; ; Osgood CE. The nature and measurement of meaning. Psychol Bull. American Psychological Association; ; Mehrabian A. Basic dimensions for a general psychological theory implications for personality, social, environmental, and developmental studies. Darwin C. The descent of man and selection in relation to sex. Murray; Wundt WM. Die Kunst. Engelmann; Panksepp J. Emotional causes and consequences of social-affective vocalization. Handbook of Behavioral Neuroscience. Elsevier; Ma W, Thompson WF. Human emotions track changes in the acoustic environment. Coming of age: A review of embodiment and the neuroscience of semantics. Elsevier Srl; ; Gallese V, Lakoff G. The role of the sensory-motor system in conceptual knowledge. Cogn Neuropsychol. Glenberg AM. Embodiment as a unifying perspective for psychology. Wiley Interdiscip Rev Cogn Sci. Wiley Online Library; ;1: Fischer; ; What are the echoes? Gender, emotion, and the embodiment of language comprehension. Emot Rev. The voices of wrath: Brain responses to angry prosody in meaningless speech. Nat Neurosci. The sound of emotions-Towards a unifying neural network perspective of affective sound processing. Neurosci Biobehav Rev. Schirmer A, Kotz SA. Beyond the right hemisphere: Don't worry if you go a little more or little less often. The average adult bladder can hold to milliliters of urine — enough to fill anywhere between 7 and 11 shot glasses. And height doesn't actually play a role in bladder size, in spite of what you might have heard. In general, average bladder volume is pretty consistent across adults. Detoxing is real, and your urine is involved! These things get broken down in your body, travel through your bloodstream, get filtered through your kidneys, and then leave your body in the form of urine. Another waste by-product you know and love is poop. Urine accumulates in your bladder, and then you pee it out through the urethra. Women typically have urethras that are about 1. The urethra is a distinct tube from the vagina. That said, if you have a penis You should enter any pissing contests before you go gray. As men age, their prostates get larger, potentially obstructing the urine stream and making it less forceful. A weaker pee stream isn't as much of an issue for older women, but it can still happen because the lining of the bladder and urethra become less supple, Dr. As men get older they naturally make less testosterone, while women's production of estrogen dips. All these changes can also result in older people needing to pee more often than they used to. A study backs up this newer school of thought. If you drink your pee because The different colors can immediately tell you whether you're getting enough water, or that there could even be something else going on, Gill says. But then, suddenly, I was peeing everywhere. I starfished out for a moment in pure panic at what I had just done, and attempted to cover the wet with my body. But then we both leapt up because, well, I had just peed on us. There were a few moments of silent standoff while we both hovered over the newly soaked bed, and during that time, I wondered if it was possible that I had ejaculated. I had never done it before, but I had heard that squirting felt a lot like peeing and I wanted to believe that was what happened..

Bergen BK. The psychological reality of phonaesthemes. Linguistic Society of America; ; Toward a theory of semantic representation. Lang Cogn.

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Emotion words, regardless of polarity, have a processing advantage over neutral words. The Representation of Abstract Words: Why Emotion Matters. J Exp Psychol Gen. Peeing all over hiss elementary affective decisions: To like or not to like, that is the question. Schmidtke DS, Aryani A.

Ribinson Fuck Watch Video Naked twat. Just click on the PayPal and pay 3 pounds and I'll send you the download link xx The recording is compressed mp3 and it's 34 minutes long. Your browser does not support the super pisser audio element. Or Victoria can send you a PayPal invoice. Stop-Start Peeing Below is my second super peeing presentation for you, this one is my pelvic floor excercises, my stopping and starting my pee stream, there's a lot of squirting and each super pee I do is nothing less than 30 seconds, many are more than a minute long. I love squeezing and tensing my lovely bladder and making the sexy hissy noises that I'm training my pussy to make! My lovely clear hot pee stream squirts and hisses and there's some good bursts of me gushing my piss, I think all of those unique girlie pee sounds are so incredibly sexy, I hope you do too! This file is only 3 GBP!! Powerful Gushing Piss My third audio mp3 pee file is my power pissing section, it's where I pee full tilt into the pan, any pan! These are really desperate pees, I was really on the edge. Longest one is 2. There's a funny sounding one as well, it's one where an inflamation on one of my pussy lips sends my pee stream into a crazy, twirly wirly fit! Our approach was motivated by a number of limitations evident in previous work. Experimental research based on behavioral data has hitherto merely investigated the links between some selective, rather isolated attributes of meaning e. Such approaches exhibit three major limitations that we aimed to address in the present study. The first limitation relates to the focus on semantic effects of phonemes in nonwords instead of natural words. Such studies are motivated by the fact that natural words in a language are linked to predetermined semantic concepts that are automatically activated during word recognition. In order to disentangle the effect of phonology from that of semantics, the majority of previous studies therefore relied on nonword stimuli usually used in a forced-choice paradigm thus limiting the generalizability of the results to real words. However, in a natural language like English, they appear in the corresponding semantic concepts in the opposite way: This begs the question to what extent the results of these studies can be linked to natural language processing and whether the assumed quality of phonemes has, if any, effects on the evaluation of meaning for real words. A second issue relates to the problem of deciphering the likely cause s of sound-to-meaning correspondences. Proposals on non-arbitrariness of language distinguish between two types of motivations for such sound-meaning mappings [ 12 ]: Iconicity, which is based on perceptual similarities between sound and meaning e. Besides some familiar and straightforward examples of iconicity—such as onomatopoetic words—research in this field still faces the question of whether existing findings on the relationship between sound and meaning are caused by specific distributions of phonemes in a language i. The role of affect as a most basic human experience shaping the learning, representation, and processing of language [ 25 — 29 ] has been surprisingly neglected. Indeed, affective dimensions of words, in particular, valence and arousal, are essential features defining a two-dimensional semantic space allowing for a very basic and potentially the most relevant distinction between different concepts; as empirically established by semantic differential [ 30 ]. Factor analyses conducted on the wide variety of verbal judgments indicated that most of the variance was accounted for by three major semantic dimensions: Therefore, these factors have been considered basic dimensions of the semantic space within which the meaning of any concept can be specified. Thus iconicity can serve as an interface for accomplishing the need to map linguistic form to human affective experience as a vital part of meaning making. Our approach in this work is based on an embodied view of language which proposes that meaning is grounded in behavior perception and action and neural circuitry of the producer or the interpreter of linguistic signs [ 25 , 28 , 36 — 40 ]. Presumably, the most fundamental such system is affect: Moreover, the ability to distinguish between such affective contexts or reactions is linked to attention systems that select specific sensory input for further processing, and also to motor systems that select specific actions for output. Both systems i. Findings on the role of affective meaning in modulating various cognitive processes, such as learning, memory, attention or language processing, [ 25 , 26 , 28 , 41 ] support the idea that affective meaning is intertwined with other lexico-semantic aspects and has an essential and basic contribution to the process of meaning making. Note that our use of the term affective sound in this paper refers exclusively to phonological constituents of words themselves and not to speaker-related issues such as intonation or how a word is spoken. Our main hypothesis is motivated by research on nonverbal emotional vocalization and, in particular, emotional prosody which has shown that the emotional significance of a sound can be detected, and hence be integrated with higher-order cognition, even when the attentional focus is not directly on the emotional cues of the sound [ 42 — 45 ]. Such emotional cues have been shown to be engaged even in silent reading by means of cross-sensory input from the visual cortex into the auditory cortex and affective regions in the brain [ 46 , 47 ]; as put forward by theories of embodied cognition and perceptual simulation. On the other hand, phonemes and their combinations as in words are characterized by a number of acoustic features that overlap with those that modulate emotional vocalization and emotional prosody e. Therefore, the specific sound profile of any word in a language can theoretically be attributed to a specific emotion as perceived by the listener. The first component concerns emotional valence going from unpleasant to pleasant. The second type of ratings addresses the degree of emotional arousal ranging from excited e. For instance, harsh-sounding words might make people feel more aroused so that they implicitly give a higher arousal rating, even though they are instructed to only focus on the lexico-semantic aspect of words. In order to test H1, we chose a computational approach that employs signal averaging to amplify the potential effect of sound on meaning. We then compared the PAP with these two independent measures of affective sound to test for their potential associations. The Berlin Affective Word List [ 57 ] BAWL was used as a normative database containing a representative mass of German words that has been cross-validated in various empirical studies regarding experiential, behavioral, and neurobiological levels of analysis [ 40 ]. The BAWL includes words from different classes nouns, verbs, and adjectives that were selected based on the following main criteria: As a consequence, the BAWL contains a relatively elevated percentage of emotion-laden words. However, valence and arousal values of words in the BAWL are spread across the entire range of both valence and arousal in order to make it an optimal tool for selecting verbal material for all kinds of research questions on affective language processing. We estimated the PAP by averaging the potential affective effects of all phonemes regardless of their position in the word. We thus attempted to minimize the effect of noise while increasing the signal-to-noise-ratio SNR by averaging. That is, for each phoneme, we calculated the average rating values of words that contain this phoneme Fig 1A. The phonemes were analyzed one-by-one to determine their potential effect on valence and arousal ratings. The potential affective effect caused by each single phoneme i. PAV was computed as the average of valence or arousal ratings of words containing this specific phoneme. B Words were synthesized and their extracted acoustic features were used in two multiple linear regression models as predictors for the PAP of arousal right and valence left. The acoustic variables 11 in total accounted for This led to the exclusion of words that contained phonemes with a lower frequency, including those that are not a part of German phonology. For each of the 36 phonemes in the database Ph i the PAV was calculated separately for arousal and valence as follows: Results are shown in S1 Table. The Phonological Affective Potential for valence or arousal for a given word W k will then be: Note that all of the following studies were conducted for the remaining number of words for which the PAP was calculated. If the PAP of written words is somehow linked to emotional cues present in their phonological forms, we would expect it to be related to the acoustic features of that form. To test the above relationship, we synthesized the words and extracted their acoustic features, focusing on a total of 11 features that are known to modulate emotional vocalization: By synthesizing the words, we distinctly separated our dependent and independent variables: Although the artificial nature of a synthesized voice could diminish the goodness of acoustic models, a positive result would all the more support the effects in question. We synthesized the words using the eSpeak [ 61 ] as front-end to the male voice de4 from MBROLA [ 62 ] which consists of a speech synthesizer; based on the concatenation of diphones, and of diphone databases. The rate of speech was set at wpm words per minute. All spoken words were checked for intelligibility by two male native speakers not otherwise involved in the study. Both speakers agreed on the intelligibility of all words: The acoustic analyses reported next were carried out on all of the words in the database. The results are summarized in Fig 1B and S2 Table. Words in the database that are derived from the same stem or root morpheme e. This could potentially bias the relationship between PAP and the way words sound. This time, the 11 acoustic variables accounted for The successful outcome and even larger portion of explained variance corroborates our previous results and validates the method used to uncover the effects of phonological units. We expected to obtain a better approximation for PAV and consequently PAP when the number of phonemes in a word is reduced, as is the case for monosyllabic words. By showing that a considerable part of the variance in PAPs depends on the acoustic features of the spoken word forms, we could reject H0 stating that PAPs are a mere product of chance. Instead, H1 was supported: We take this as a first support for the validity or psychological reality of the effect in question. All participants gave their consent in written form for study 2a, and online for study 2b prior to participating in the study. A total of participants were recruited by flyers, email contacts, and Facebook posts, who then rated the words either for valence or for arousal. All participants reported normal or corrected-to-normal vision and were native German speakers. Words were presented visually. Participants were instructed that they would have to suppress the meaning of words and only pay attention to their sound, and this was repeatedly emphasized through the instruction process. Words were randomly divided into 8 different lists each of which included about items. Words were then rated on both affective sound of valence and affective sound of arousal by different groups of participants in order to exclude the possibility of mutual influence between valence and arousal ratings. The items were randomly presented to minimize primacy or recency effects. On average, the tasks were completed in approximately 25 minutes. Each word was rated by an average of In order to assess the degree of agreement among raters, the Interclass Correlation ICC was computed for both arousal and valence ratings. This was evident in the correlations between our ratings of affective sound and the original Affective Meaning Ratings: This way, the potential effect of Affective Semantic Content was partialed out of rating values of affective sound. In the following, we refer to these two measures as Affective Sound Ratings ; in short: PAPs is associated with the affective sound of these words, thus providing further support for the psychological reality and the affective nature of PAPs. In the previous study, the poor ICC values suggested that subjective judgments about the affective sound of a word while trying to suppress its meaning can be a difficult task. In this study, we therefore aimed to provide a new measure of affective sound by using meaningless pseudowords that would allow participants to better focus on the sound. We therefore generated and presented pseudowords in auditory form and collected ratings of their affective sound. By extracting the acoustic features of pseudowords and using them as predictors we developed acoustic models capable of predicting the variation in the ratings. Such independent models can then be applied to any word-like item in auditory form to predict its affective sound solely based on its acoustic features, including the real words from the previous studies. Note that since the pseudowords had to be presented to and rated by human subjects, for this task—unlike in Study1—we used a human voice rather than a synthesizer to generate naturally sounding stimuli and to prevent potential distortion effects of sound peculiarity. However, as pseudowords lack semantic content there was no concern about the influence of meaning on emotional prosody as in the study1. Since the pseudowords had to be spoken and rated, to avoid obscureness we restricted the list of word templates to those having up to three syllables and 10 letters. For words with more than one remaining pseudoword alternative, the one with a highest Levenshtein distance [ 69 ] was selected. The list of pseudowords was checked for pseudohomophones and a too high similarity to real words. Thus, items were excluded: In addition, because of phonotactic problems mostly caused by illegal or very rare grapheme combinations items were excluded: The remaining pseudowords were selected for recording. A professional male actor was recruited in Berlin, Germany, who was a native speaker of German. He had graduated from professional acting school and was regularly employed in radio, television, and stage work. He was paid to participate. A total of participants were recruited by flyers, email contacts, and Facebook posts, who rated the pseudowords either for valence or for arousal. As I was walking to the bathroom, though, I caught him looking skeptically at the large wet spot on his bed, bent over like the Sherlock Holmes of bodily fluids. He dabbed two fingers in it, and then brought those two fingers to his nose for a sniff. I would have been happier to be dead. Thankfully, he never brought it up to me again, but that might be because we only dated for two more weeks after that. Already a subscriber? I swear she has an overactive bladder because she is constantly having to go, and when she does I also just recently went to the beach where they had two porta-potties right next to each other. As I was going I could see through the vents in the top a women go into the one next to me and then heard her relieving herself My Girlfriend will call me on the phone and then put the phone down close and pee. The sound of it being released from her and hitting the water in the toilet is incredible. She will also leave me voicemails of her peeing. Then she will remark "don't you wish you were sitting underneath me". I'm always turned on by hearing girls pee. Some ex-girlfriends I saw peeing but there were a few I only heard. The girl I'm with now is one of the noisiest. It's a big turn on to watch her and hear her doing it last thing before we go to bed. Some bars in London now have mixed toilets. Though there are often debates and arguments in the queue I think a lot of people find it a turn on to hear somebody of the opposite sex peeing so close by without being allowed to see them. After going to a boarding school in the UK I never ever want to have to listen to anyone farting shitting or peeing ever again. We recently remodelled the ensuite bathroom off our bedroom. Because it also opened onto a hallway, there were 3 doors. The point being that when she gets up in the night, or morning to pee, I am treated to the delightful sound of her pee hitting the water. I try to not make too big a deal of it, because she treats my whole pee fetish with a mixture of tolerance and amusement. This is not a turn on for me but it is kinda fun when you know who's peeing, just based on the sound. There's a few ladies in my office that have a distinct "flow" sound. I never wonder who's in the stall, when it's those few. There's a few I haven't caught onto their sound yet but am curious to. Just for fun, not really as a kink. Not so much a turn on as a means of control. Having a woman pee herself in front of me and listening to her is quite embarrassing for her and she simply cannot control the sound she makes. She knows I am listening and she tries to do so quietly, but usually, once she starts, she too "hisses" out loud Yet she is the one who suggested to leave the doors off the bathroom. Maybe she's coming around? This can be quite painful," Lubetzky says. If you can't pass the stone, it might stop the flow of urine, which can boost your chances of infection. At that point, you should definitely see a doctor who can help break it up so you can pass it, then flush it away for good. Your body makes it pretty hard to do. Unless you're dealing with regular incontinence, the bladder neck closes during orgasm for both men and women. For men, that means semen can't flow back into the bladder and cause any issues. For women, it's reassurance that you can ignore that tell-tale "I need to pee! Unless you haven't gone for hours and it feels really urgent, feel free to go with the flow—of pleasure, that is. Not that there's anything wrong with that. Look, if it feels amazing and your partner is into it, you do you. Share On pinterest Share On pinterest. Share On facebook Share On facebook. Share On twitter Share On twitter. Share On copy Share On copy. Alice Mongkongllite for BuzzFeed. Jenny Chang for BuzzFeed. Alice Mongkongllite. Top trending videos. Looks like there are no comments yet..

Phys Life Rev. Elsevier; ; Osgood CE. Peeing all over hiss nature and measurement of meaning. Psychol Bull. American Psychological Association; ; Mehrabian A. Basic dimensions for a general psychological theory implications for personality, social, environmental, and developmental studies.

Darwin C. The descent of man and selection in relation to sex. Murray; Wundt WM. Die Kunst. Engelmann; Panksepp J. Emotional causes and consequences of social-affective vocalization.

Handbook of Behavioral Neuroscience. Elsevier; Ma W, Thompson WF. Human emotions track changes in the acoustic environment. Coming of age: A Peeing all over hiss of embodiment and the neuroscience of semantics. Elsevier Srl; ; Gallese V, Lakoff G. The role of the sensory-motor system in conceptual knowledge. Cogn Neuropsychol.

Glenberg AM. Embodiment as a unifying perspective for psychology. Wiley Interdiscip Rev Cogn Sci.

Ukraina porn Watch Video Ssbbw pussy. The longest one on this download is 2. Well thanks! It's just that I get embarrassed easily, that's why I pee quietly when I think someone can hear me, but don't forget that I have my phone between my legs, so it's not THAT quiet! Quite a bit of piss hissing going on in this recording. This is my 5th pee set and they're all my efforts at holding my pee until I can eiither take a pee break, or not take one more step and get to a toilet and see if I can make my pee hiss and I was very successful. All of this 34 minutes sound file is of my lovely pissing and it has hissing included in each pee, I'm very pleased and so pround that I can make this lovely erotic female sound for you x You're buying all of my blood, sweat and tears, not to mention my pain! For 3 UK pounds. I'm trying to keep my promises of having new pee sounds pages and here is my latest, these are my hissing sounds guys. The shortest one is a minute and the longest one is 2. That long one was done at home, I really was bursting, I was dying to go and luckily for me, when I released it, it all came out gently and slowly so I could push a little and make it hiss to make it sound nice n' sexy for you. I think the hissing pissing is fascinating, it's such a sexy sound, not every woman can do it and I get so annoyed when I can't do it, but when I can I'm such a happy girl, a smiling hissy, super pisser! I had never done it before, but I had heard that squirting felt a lot like peeing and I wanted to believe that was what happened. And that seemed like a pretty good clue. I did not consciously decide to lie but it seemed like the only option: I told him I had squirted, but somehow this year-old man had not heard of female ejaculation. Eventually, he gave up, probably because I looked like I was about to cry, which gave me the opportunity to excuse myself to take a shower and hose what was definitely urine off of my body. Thus, we examined the direct relationships between each acoustic feature and the PAP on the one hand, and our two measures of affective sound i. Phonological Affective Potential: Affective Sound-Ratings: Affective Meaning-Ratings: AM-R on the one hand, and 11 acoustic variables on the other hand left for valence, right for arousal. Acoustic features that significantly correlated with the PAP, AS-R, AS-P, and AM-R always show associations in the same direction, suggesting that acoustic features underlying the affective sound of words contribute in similar ways to the constitution of affective meaning of these words. B The correlation probabilities are shown in the table. Notably, the correlations between each acoustic variable and PAP aro were always in the same direction as correlations between this specific acoustic variable and both measures of affective sound for arousal i. A similar pattern was observed for valence. The PAP val was significantly correlated with seven acoustic variables, and, importantly, these correlations were, again, always in the same direction as for the acoustic variables and both measures of affective sound for valence i. All correlations in the acoustic profile of arousal remained significant after Bonferroni correction for multiple comparisons. For the acoustic profile of valence, however, the correlation between the third formant F3 and PAP val did no longer reach statistical significance after Bonferroni correction. We interpret this as strong support for PAPs being determined by affective perceptual cues within phonological word forms. From the total of 11 acoustic variables, eight variables in the acoustic profile for arousal five variables after Bonferroni correction and four in the acoustic profile for valence three variables after Bonferroni correction were significantly correlated with AM-R aro and AM-R val , respectively Fig 3 and S5 Table. Revealing the perceptual acoustic cues likely underlying the effect of implicit sound on affective meaning, we performed further analyses to explore phonetic features potentially causing this effect. The consistently negative correlations between sound intensity and each of the four arousal-based measures: Note that all words and pseudowords were spoken with the same loudness, thus differences in sound intensity have to be tracked back to specific phonetic features of the words in the database. A closer look at the spectrograms reveals that words with the highest sound intensity tend to include long vowels e. This Vowel Length Index was significantly correlated with sound intensity across all words in the database: With regard to affective perception, note that long vowels are produced through a release of air from the mouth for an extended period of time which is a behavior similar to slow vs. This relationship between affective states and sound duration is also stressed in the motivation-structural rules hypothesis [ 74 ] stating that calls produced by mammals in aggressive circumstances, termed barks or grunts , are generally of shorter duration than those produced in appeasement contexts. On the other hand, at the spectrogram level, the sustained high amplitude for long vowels causes a larger integral of energy for the whole sound envelope leading to the negative correlation between arousal and sound intensity see Fig 4A. Note also that the variation of intensity of sound over time Intensity-SD accordingly displays a positive correlation with arousal. A comparison between the PAV of short vowels and their long counterparts see S1 Table revealed the same pattern: In addition, short vowels tend to be followed by more consonants i. Voiced consonants are accompanied by vocal cord vibration that leads to an increase in sound energy compared to their voiceless counterparts. In order to explore the relationship between voicing and the affective sound of words, we defined a phonetic cue based on the relative proportion of voiced consonants to all consonants in a word. AS-R aro: These results indicate that voiceless consonants sound on average more arousing and negative than voiced consonants, which, in turn, appear to make words sound softer and more pleasing. Among words with the lowest sound intensity, many include plosive consonants e. The interruption and explosive release of the air stream in the pronunciation of plosive sounds can be associated with a higher level of arousal, but at the same time, during a stop closure, there is very little acoustic energy. This may explain the lower level of sound intensity and a higher level of arousal at the same time for words that include this type of phonemes see Fig 4A. Similar to voicing, we defined a phonetic cue indicating the relative proportion of plosive consonants to all consonants in a word. This phonetic cue was significantly correlated with sound intensity: A larger high-frequency energy and raising of the first formant are typical characteristics of hissing sibilants alveolar fricatives and affricates, e. This results in a literally high-arousing hissing sound, which may account for the cross- and paralinguistic use of these sounds for attracting the attention of others e. Similarly, it is the presence of such a hissing sound following a short vowel that makes the small, but striking difference at the phoneme level between two words referring to one and the same concept from a very basic domain of physical human experience, out of which one is considered rather vulgar and rude, while the other seems more childish and polite: Overall, the results of our computational approach and acoustic analyses, together with the data from the behavioral studies, provide strong support for the hypothesis that phonemes possess affective potential based on their spectro-temporal acoustic features known to modulate emotional vocalization. These results emphasize the iconic nature of the relationship between the implicit sound of a phoneme and its affective quality on the one hand and affective meaning of words comprising these phonemes on the other. As outlined in the introduction, with this study we addressed three major issues generally involved in previous research on iconicity. First, by focusing on a representative number of real words—instead of pseudowords—, our novel results improve the understanding of the effect of implicit sound on the process of meaning making for natural words, in particular concerning their affective meaning. We showed that not only specific sound profiles of words have an affective quality, but also that this quality implicitly influences language users in their final emotional judgment about the meaning of words. Secondly, our behavioral studies and acoustic analyses helped to overcome a major limitation of previous work showing that the relation between affective sound and meaning reflects more than just some statistical regularities within the language i. Rather, our data suggest that the sound shape of words possesses an inherent affective quality i. Finally, investigating the role of affect and affective meaning of words, we moved beyond the narrow focus on single, limited semantic concepts see also [ 19 ] , which enabled us to test sound-meaning correspondences across a wide range of words, representative of the entire lexicon. Importantly, the iconic affective potential of phonemes i. PAP , as suggested by our results, contributes to the process of affective meaning making even when words are visually presented and silently read. Note that visual word recognition generally involves the activation of phonological codes [ 48 — 50 ] and language users appear implicitly influenced by affective sound of visually presented words when evaluating the affective meaning of these words. Overall, our results were generally stronger for arousal than for valence. That is acoustic speech properties provide vocal cues to the level of arousal, above that of valence [ 56 , 59 , 60 , 75 ]. Reviews of earlier attempts to decode emotional significance from vocal cues commonly failed to identify a set of vocal features that reliably differentiate between the levels of valence. Arousal is generally understood as related to a physiological state of being reactive to a stimulus, and it appears plausible that this could be reflected in the vocal behavior of the sender and thus extend to acoustic features of the speech signal. Valence, on the other hand, involves higher order, cognitive, and evaluative processes that are less likely to be detectable at such a basal sublexical level [ 56 , 76 — 78 ], thus corresponding less well than arousal to any consistent acoustic mapping. Our analyses of acoustic cues revealed some specific phonetic features as potential candidates of carrying the effect of sound on meaning. Short vowels, compared to their long counterparts, can make words sound more negative and arousing. Also, voiceless consonants, hissing sibilants, and—to some extent—plosives, can significantly contribute to making a word more negative and arousing—as our data suggest, both at the level of sound and perceived meaning. It is worth noting that these phonetic cues may not be universal across different languages, as not all languages display systematic variations of some of the phonetic features that we focused on e. The poor ICC values for the first method Study 2a indicate the difficulty of subjective judgments of the implicit sound of a visually presented word independently of its meaning. Even though we attempted to decontaminate these rating values from the effects of semantic content, this method possesses serious limitations and the poor ICC values call for cautious interpretation of these results. Rather than reflecting a direct, forward influence of acoustic features on affective ratings, PAVs, determining PAPs for words in our data might instead, reflect the systematic occurrence of specific phonemes in words of specific affective meaning in terms of arousal and valence levels across the vocabulary of a language. This is because PAVs are is computed as the average of affective ratings of words comprising a given phoneme. In that case, our data establishing close relations between PAP or PAV and acoustic features would help explain an apparent systematic distribution of phonemes across the vocabulary as a function of semantic affective values of words: An iconic relation would link affective attributes of the percept or the basic linguistic sign at the phoneme level with affective semantic meaning at the lexical level—adding an internal to the external relation between the signifier and the signified that would have contributed to the evolution of the vocabulary according to affective iconicity. Our study is the first to demonstrate an association between affective sound and meaning for real words and across a language lexicon. While providing important novel evidence, it also has limitations future research may attempt to overcome. When modeling our alternative hypothesis H1, for the sake of simplicity and in the absence of a theoretically or empirically justified theory, we opted for a simple additive method see Eq 1. Similarly, the role of each phoneme in a word for contributing to the PAP might be differentially weighted depending on its position in the word see Eq 2. Applying more sophisticated methods such as machine-learning-based regressors e. Also, a number of the acoustic features we used are measured as average frequencies, which precludes the use of dynamic sound features e. A more sophisticated approach, for instance, might use the matrix of the spectrogram to quantitatively represent the sound envelope. Since the length of the audio signal i. Alternatively, our acoustic analysis can be complemented by the use of phonetic categories e. In a simple phonetic approach, each phoneme in a word will represent a vector of phonetic features. Consequently, an entire word—comprising different phonemes—can be described as a concatenation of vectors of phonetic features, which can be used to calculate the contribution of any phonetic feature to the affective sound of words; in a similar fashion to our approach concerning PAVs. A practical approach concerning the use of phonetic features instead of acoustic variables would be the use of phonological cues defined as the proportion of consonants with particular manner and place features, and the average height and position of vowels as provided in [ 81 ]. These cues can be used in the same way as our acoustic variables to identify phonological features underlying the PAPs. An advantage of this method would be the simple classification of the phonological construction of a word and its contribution to the sound to meaning relation. Another approach for measuring the affective sound of words can make use of the insights of sonority theory [ 82 , 83 ]. For this, each word can be assigned a sonority score which may also systematically contribute to affective and aesthetic ratings, as supported by recent findings concerning ratings of the aptness of metaphors and the beauty of words [ 79 , 84 ]. Here, our method for assessing the affective sound of words based on its acoustic features could provide a substantial improvement to previous work, which was usually based on the manipulation of a limited group of sounds e. Likewise, in artistic contexts, such as film, literature, and in particular, poetry, our method could be applied to evoke and verify particular emotional effects by use of words that possess specific implicit affective sounds. Poetry is probably the best example of a sound meaning interaction: Indeed, poetry has always artfully deployed sound patterns to shape order, to create a new layer of meaning, and to emphasize the affective meaning in a text. With the present study we provide a complementary method to previous attempts for analyzing poetic texts at the sublexical level [ 55 , 56 , 90 — 94 ], and for further examination of the influence of sound structure on affective and aesthetic reactions to verbal material intended to elicit a certain emotional impact in readers, such as advertisements, political speeches or manifests. The present studies provide novel results on the contribution of the implicit sound of a word to its affective meaning. Our findings have the potential to shed new light on various unanswered questions regarding the evolution, organization, and processing of human language by drawing attention to the role of affect as well as by substantiating the psychological reality of iconicity in everyday language. These new insights may pave the way for further cross-linguistic investigations, as well as the detailed study of the neural substrates underlying the effect of phonology and sound-meaning interaction in language use; a phenomenon creatively exploited particularly by Poe and other poets throughout history. Browse Subject Areas? Click through the PLOS taxonomy to find articles in your field. Abstract Most language users agree that some words sound harsh e. June 6, Copyright: The authors received no specific funding for this work. Introduction Human language has generally been considered to be entirely symbolic in that words convey meaning through conventional and arbitrary links to concepts they refer to [ 1 ]. Motivation for the present study Our approach was motivated by a number of limitations evident in previous work. Quantifying the Phonological Affective Potential PAP Material The Berlin Affective Word List [ 57 ] BAWL was used as a normative database containing a representative mass of German words that has been cross-validated in various empirical studies regarding experiential, behavioral, and neurobiological levels of analysis [ 40 ]. Study 1: Method To test the above relationship, we synthesized the words and extracted their acoustic features, focusing on a total of 11 features that are known to modulate emotional vocalization: Synthesizing and acoustic analyses We synthesized the words using the eSpeak [ 61 ] as front-end to the male voice de4 from MBROLA [ 62 ] which consists of a speech synthesizer; based on the concatenation of diphones, and of diphone databases. Study 2a: Urine accumulates in your bladder, and then you pee it out through the urethra. Women typically have urethras that are about 1. The urethra is a distinct tube from the vagina. That said, if you have a penis You should enter any pissing contests before you go gray. As men age, their prostates get larger, potentially obstructing the urine stream and making it less forceful. A weaker pee stream isn't as much of an issue for older women, but it can still happen because the lining of the bladder and urethra become less supple, Dr. As men get older they naturally make less testosterone, while women's production of estrogen dips. All these changes can also result in older people needing to pee more often than they used to. A study backs up this newer school of thought. If you drink your pee because The different colors can immediately tell you whether you're getting enough water, or that there could even be something else going on, Gill says. Stare into the bowl for some answers, and use this key as your guide. Dark yellow: The more concentrated the yellow gets, the less hydrated you are. Seeing honey or marigold tints? Focus on drinking more water so your body can do its thing you know, keeping you alive and healthy to the best of its ability. There might be old blood in your urine, or you could have a serious liver infection. Red or pink: I just notice it. Discussions It's kinky and I love it! Kinky Watersports. Post number 1. Post number 2. It sounds like you need a girlfriend to pee for you. Post number 3. Post number 4. Love listening to guys piss- the hard stream hitting the back of the toilet. Post number 5. Post number 6. Post number 7. Post number 8. Post number 9. Amy K — You naughty girl, you share one of my wife's kinks. Post number Right DrZ, you never get tired of it. Married 30 years and I still enjoy her sound. I did listened to women peeing through thin walls to and loved every seconds of it. Chat supervisor. Your husband is a lucky man Well thank you. I like him to hear everything. I have to say, listening to someone urinate of defecate does nothing for me. It's just another body function, like breathing or eating. That said, I certainly understand that different folks have different strokes, etc I had a work buddy, 30 yrs ago, who used the expression, "I'd crawl thru 10 miles of broken glass to listen to her pee over the phone" It is a memorable image. Love is all about listening, isn't it?.

Wiley Online Library; ;1: Fischer; ; What are the echoes? Gender, emotion, and the embodiment of language comprehension. Emot Rev. The voices of wrath: Brain responses to angry prosody in meaningless speech. Nat Neurosci. The Peeing all over hiss of emotions-Towards a unifying neural network perspective of affective sound processing. Neurosci Biobehav Rev. Schirmer A, Peeing all over hiss SA.

Beyond the right hemisphere: Brain mechanisms mediating vocal emotional processing.

Sex xxd Watch Video Orgasm Tubes. I'm hoping to do all the different sections in the next few weeks, so you can choose which of my super pissing sounds you prefer. I've been having trouble with the mobile website, but I've still put this first one together with a grand selection of power, tinkle, quiet, stop start. Some of my pees I found difficult to get out because my bladder was so overfull drunk! Nobody can piss like I do! My super pisses all last over a minute, some are nearly two! God bless my super bladder!! Just click on the PayPal and pay 3 pounds and I'll send you the download link xx The recording is compressed mp3 and it's 34 minutes long. Your browser does not support the super pisser audio element. Or Victoria can send you a PayPal invoice. Stop-Start Peeing Below is my second super peeing presentation for you, this one is my pelvic floor excercises, my stopping and starting my pee stream, there's a lot of squirting and each super pee I do is nothing less than 30 seconds, many are more than a minute long. I love squeezing and tensing my lovely bladder and making the sexy hissy noises that I'm training my pussy to make! Then my boyfriend woke up. Plus, sex with him was always very basic: But then, suddenly, I was peeing everywhere. I starfished out for a moment in pure panic at what I had just done, and attempted to cover the wet with my body. But then we both leapt up because, well, I had just peed on us. In order to test H1, we chose a computational approach that employs signal averaging to amplify the potential effect of sound on meaning. We then compared the PAP with these two independent measures of affective sound to test for their potential associations. The Berlin Affective Word List [ 57 ] BAWL was used as a normative database containing a representative mass of German words that has been cross-validated in various empirical studies regarding experiential, behavioral, and neurobiological levels of analysis [ 40 ]. The BAWL includes words from different classes nouns, verbs, and adjectives that were selected based on the following main criteria: As a consequence, the BAWL contains a relatively elevated percentage of emotion-laden words. However, valence and arousal values of words in the BAWL are spread across the entire range of both valence and arousal in order to make it an optimal tool for selecting verbal material for all kinds of research questions on affective language processing. We estimated the PAP by averaging the potential affective effects of all phonemes regardless of their position in the word. We thus attempted to minimize the effect of noise while increasing the signal-to-noise-ratio SNR by averaging. That is, for each phoneme, we calculated the average rating values of words that contain this phoneme Fig 1A. The phonemes were analyzed one-by-one to determine their potential effect on valence and arousal ratings. The potential affective effect caused by each single phoneme i. PAV was computed as the average of valence or arousal ratings of words containing this specific phoneme. B Words were synthesized and their extracted acoustic features were used in two multiple linear regression models as predictors for the PAP of arousal right and valence left. The acoustic variables 11 in total accounted for This led to the exclusion of words that contained phonemes with a lower frequency, including those that are not a part of German phonology. For each of the 36 phonemes in the database Ph i the PAV was calculated separately for arousal and valence as follows: Results are shown in S1 Table. The Phonological Affective Potential for valence or arousal for a given word W k will then be: Note that all of the following studies were conducted for the remaining number of words for which the PAP was calculated. If the PAP of written words is somehow linked to emotional cues present in their phonological forms, we would expect it to be related to the acoustic features of that form. To test the above relationship, we synthesized the words and extracted their acoustic features, focusing on a total of 11 features that are known to modulate emotional vocalization: By synthesizing the words, we distinctly separated our dependent and independent variables: Although the artificial nature of a synthesized voice could diminish the goodness of acoustic models, a positive result would all the more support the effects in question. We synthesized the words using the eSpeak [ 61 ] as front-end to the male voice de4 from MBROLA [ 62 ] which consists of a speech synthesizer; based on the concatenation of diphones, and of diphone databases. The rate of speech was set at wpm words per minute. All spoken words were checked for intelligibility by two male native speakers not otherwise involved in the study. Both speakers agreed on the intelligibility of all words: The acoustic analyses reported next were carried out on all of the words in the database. The results are summarized in Fig 1B and S2 Table. Words in the database that are derived from the same stem or root morpheme e. This could potentially bias the relationship between PAP and the way words sound. This time, the 11 acoustic variables accounted for The successful outcome and even larger portion of explained variance corroborates our previous results and validates the method used to uncover the effects of phonological units. We expected to obtain a better approximation for PAV and consequently PAP when the number of phonemes in a word is reduced, as is the case for monosyllabic words. By showing that a considerable part of the variance in PAPs depends on the acoustic features of the spoken word forms, we could reject H0 stating that PAPs are a mere product of chance. Instead, H1 was supported: We take this as a first support for the validity or psychological reality of the effect in question. All participants gave their consent in written form for study 2a, and online for study 2b prior to participating in the study. A total of participants were recruited by flyers, email contacts, and Facebook posts, who then rated the words either for valence or for arousal. All participants reported normal or corrected-to-normal vision and were native German speakers. Words were presented visually. Participants were instructed that they would have to suppress the meaning of words and only pay attention to their sound, and this was repeatedly emphasized through the instruction process. Words were randomly divided into 8 different lists each of which included about items. Words were then rated on both affective sound of valence and affective sound of arousal by different groups of participants in order to exclude the possibility of mutual influence between valence and arousal ratings. The items were randomly presented to minimize primacy or recency effects. On average, the tasks were completed in approximately 25 minutes. Each word was rated by an average of In order to assess the degree of agreement among raters, the Interclass Correlation ICC was computed for both arousal and valence ratings. This was evident in the correlations between our ratings of affective sound and the original Affective Meaning Ratings: This way, the potential effect of Affective Semantic Content was partialed out of rating values of affective sound. In the following, we refer to these two measures as Affective Sound Ratings ; in short: PAPs is associated with the affective sound of these words, thus providing further support for the psychological reality and the affective nature of PAPs. In the previous study, the poor ICC values suggested that subjective judgments about the affective sound of a word while trying to suppress its meaning can be a difficult task. In this study, we therefore aimed to provide a new measure of affective sound by using meaningless pseudowords that would allow participants to better focus on the sound. We therefore generated and presented pseudowords in auditory form and collected ratings of their affective sound. By extracting the acoustic features of pseudowords and using them as predictors we developed acoustic models capable of predicting the variation in the ratings. Such independent models can then be applied to any word-like item in auditory form to predict its affective sound solely based on its acoustic features, including the real words from the previous studies. Note that since the pseudowords had to be presented to and rated by human subjects, for this task—unlike in Study1—we used a human voice rather than a synthesizer to generate naturally sounding stimuli and to prevent potential distortion effects of sound peculiarity. However, as pseudowords lack semantic content there was no concern about the influence of meaning on emotional prosody as in the study1. Since the pseudowords had to be spoken and rated, to avoid obscureness we restricted the list of word templates to those having up to three syllables and 10 letters. For words with more than one remaining pseudoword alternative, the one with a highest Levenshtein distance [ 69 ] was selected. The list of pseudowords was checked for pseudohomophones and a too high similarity to real words. Thus, items were excluded: In addition, because of phonotactic problems mostly caused by illegal or very rare grapheme combinations items were excluded: The remaining pseudowords were selected for recording. A professional male actor was recruited in Berlin, Germany, who was a native speaker of German. He had graduated from professional acting school and was regularly employed in radio, television, and stage work. He was paid to participate. A total of participants were recruited by flyers, email contacts, and Facebook posts, who rated the pseudowords either for valence or for arousal. Participants had the chance to win one of 10 Amazon coupons which were assigned randomly at the end of the study. All participants were native German speakers. In order to afford a convenient method of sampling that was more representative of the general population, the study was conducted online using the SoSci panel [ 70 ]. Adapting the instructions used for the original BAWL ratings for written words, participants were invited to carefully listen to the presented item and evaluate how positive or negative in the case of valence and how exciting or calming in the case of arousal the pseudowords sounded. Importantly, participants were instructed to give their ratings solely based on the sound aspect of items and not based on their similarity to real words. Pseudowords were randomly divided into 4 different lists, each including about pseudowords. The order of presentation was pseudorandomized for each participant. Affective ratings were obtained for pseudowords with 17 ratings per item on average We extracted the 11 acoustic features from the spoken pseudowords see study 1 and performed two multiple regression models using them as predictors of the ratings separately for arousal and valence. These features accounted for Since our ultimate goal was to predict the affective sound of real words, in order to assess how the results of the above models generalize to an independent data set i. The dataset was randomly shuffled into two subsets with equal size one for training and one as a test set, and vice versa. Model accuracy for each run was These are very robust results in terms of explained variance compared to the original models. The substantial amount of variance accounted for in our regression model for arousal indicates that the affective sound of word-like stimuli could be mapped out in terms of their acoustic cues; a strong evidence for acoustic features to possess affective value on their own. We next took the two acoustic models i. Results showed significant correlations between the measure of affective sound based on the direct rating value i. AS-R, Study 2a and the predicted values of affective sound based on acoustic features i. AS-P, Study 2b for both arousal: Thus, we examined the direct relationships between each acoustic feature and the PAP on the one hand, and our two measures of affective sound i. Phonological Affective Potential: Affective Sound-Ratings: Affective Meaning-Ratings: AM-R on the one hand, and 11 acoustic variables on the other hand left for valence, right for arousal. Acoustic features that significantly correlated with the PAP, AS-R, AS-P, and AM-R always show associations in the same direction, suggesting that acoustic features underlying the affective sound of words contribute in similar ways to the constitution of affective meaning of these words. B The correlation probabilities are shown in the table. Notably, the correlations between each acoustic variable and PAP aro were always in the same direction as correlations between this specific acoustic variable and both measures of affective sound for arousal i. A similar pattern was observed for valence. The PAP val was significantly correlated with seven acoustic variables, and, importantly, these correlations were, again, always in the same direction as for the acoustic variables and both measures of affective sound for valence i. All correlations in the acoustic profile of arousal remained significant after Bonferroni correction for multiple comparisons. No matter the cause, the bottom line is that you should head to a doctor if you feel like you always have to go. If you've ever known someone who's been pregnant or even carried a baby yourself, this won't come as a surprise. Hormones might also have an effect. As levels rise, this may make women feel as a they need to urinate more frequently," Brucker says. There's natural bacteria in the vagina that, during sex, can get pushed into the urethra toward the bladder and cause infection. Peeing flushes that out, Gill says. And although women are more likely to deal with the awfulness of UTIs, it's smart for guys to pee after sex, too. You really should sit your butt down on that public toilet seat , if you pee sitting down. You might be tempted to hover over public toilet seats when you pee to avoid making skin-to-skin contact with germy surfaces. First of all, it's not necessary thanks to the minimal chances that you'll actually catch something from the toilet seat. Plus, it might make it tough to actually whiz out all that waste. So it's not necessarily that hovering increases any long-term risks, more that it's best to fully empty your bladder each time you pee. According to one study. In many cases, they are small enough that they will pass without causing any problems," Lubetzky says. Signs you might have kidney stones: Kidney stones can also cause painful urination or blood in your pee. If you're noticing any of these signs, see a doctor to find out what's going on. This can be quite painful," Lubetzky says. If you can't pass the stone, it might stop the flow of urine, which can boost your chances of infection. In general, I tend to see watersports apart from the normal act of urination; the latter doesn't interest me at all. Watersports as with any physical intimacy requires preparation and hygiene as with any other aspect of intimacy with another person. I had a work buddy, 30 yrs ago, who used the expression, "I'd crawl thru 10 miles of broken glass to listen to her pee over the phone". I absolutely love hearing my wife pee I swear she has an overactive bladder because she is constantly having to go, and when she does I also just recently went to the beach where they had two porta-potties right next to each other. As I was going I could see through the vents in the top a women go into the one next to me and then heard her relieving herself My Girlfriend will call me on the phone and then put the phone down close and pee. The sound of it being released from her and hitting the water in the toilet is incredible. She will also leave me voicemails of her peeing. Then she will remark "don't you wish you were sitting underneath me". I'm always turned on by hearing girls pee. Some ex-girlfriends I saw peeing but there were a few I only heard. The girl I'm with now is one of the noisiest. It's a big turn on to watch her and hear her doing it last thing before we go to bed. Some bars in London now have mixed toilets. Though there are often debates and arguments in the queue I think a lot of people find it a turn on to hear somebody of the opposite sex peeing so close by without being allowed to see them. After going to a boarding school in the UK I never ever want to have to listen to anyone farting shitting or peeing ever again. We recently remodelled the ensuite bathroom off our bedroom. Because it also opened onto a hallway, there were 3 doors. The point being that when she gets up in the night, or morning to pee, I am treated to the delightful sound of her pee hitting the water. I try to not make too big a deal of it, because she treats my whole pee fetish with a mixture of tolerance and amusement. This is not a turn on for me but it is kinda fun when you know who's peeing, just based on the sound. There's a few ladies in my office that have a distinct "flow" sound. I never wonder who's in the stall, when it's those few. There's a few I haven't caught onto their sound yet but am curious to. Just for fun, not really as a kink. Not so much a turn on as a means of control..

Emotional voices in context: The cerebral representation of emotional voice cues Peeing all over hiss in literary texts. Soc Cogn Affect Neurosci. How Silent Is Silent Reading? J Neurosci. J Mem Lang. Pseudohomophone effects provide evidence of early lexico-phonological processing in visual word recognition. Hum Brain Mapp. Wiley Online Library; ; Breen M.

Peeing all over hiss

Empirical investigations of the role of implicit prosody in sentence processing. Peeing all over hiss Lang Compass. Phonetic feature encoding in human superior temporal gyrus.

Science The frequency codes underlies the sound symbolic use of voice pitch.

Cat keeps peeing on bed female

Sound symbolism. Phonological iconicity electrifies: An ERP study on affective sound-to-meaning correspondences in German. Inherent emotional quality of human speech sounds. Peeing all over hiss Emot. Extracting salient sublexical units from written texts: Psychol Aesthet, Creat, Arts. Behav Res Methods.

Sexserch com Watch Video pet nude. I had never done it before, but I had heard that squirting felt a lot like peeing and I wanted to believe that was what happened. And that seemed like a pretty good clue. I did not consciously decide to lie but it seemed like the only option: I told him I had squirted, but somehow this year-old man had not heard of female ejaculation. Eventually, he gave up, probably because I looked like I was about to cry, which gave me the opportunity to excuse myself to take a shower and hose what was definitely urine off of my body. I'm hoping to do all the different sections in the next few weeks, so you can choose which of my super pissing sounds you prefer. I've been having trouble with the mobile website, but I've still put this first one together with a grand selection of power, tinkle, quiet, stop start. Some of my pees I found difficult to get out because my bladder was so overfull drunk! Nobody can piss like I do! My super pisses all last over a minute, some are nearly two! God bless my super bladder!! Just click on the PayPal and pay 3 pounds and I'll send you the download link xx The recording is compressed mp3 and it's 34 minutes long. Your browser does not support the super pisser audio element. Or Victoria can send you a PayPal invoice. Stop-Start Peeing Below is my second super peeing presentation for you, this one is my pelvic floor excercises, my stopping and starting my pee stream, there's a lot of squirting and each super pee I do is nothing less than 30 seconds, many are more than a minute long. I love squeezing and tensing my lovely bladder and making the sexy hissy noises that I'm training my pussy to make! These things get broken down in your body, travel through your bloodstream, get filtered through your kidneys, and then leave your body in the form of urine. Another waste by-product you know and love is poop. Urine accumulates in your bladder, and then you pee it out through the urethra. Women typically have urethras that are about 1. The urethra is a distinct tube from the vagina. That said, if you have a penis You should enter any pissing contests before you go gray. As men age, their prostates get larger, potentially obstructing the urine stream and making it less forceful. A weaker pee stream isn't as much of an issue for older women, but it can still happen because the lining of the bladder and urethra become less supple, Dr. As men get older they naturally make less testosterone, while women's production of estrogen dips. All these changes can also result in older people needing to pee more often than they used to. A study backs up this newer school of thought. If you drink your pee because The different colors can immediately tell you whether you're getting enough water, or that there could even be something else going on, Gill says. Stare into the bowl for some answers, and use this key as your guide. Dark yellow: The more concentrated the yellow gets, the less hydrated you are. Seeing honey or marigold tints? Focus on drinking more water so your body can do its thing you know, keeping you alive and healthy to the best of its ability. Our analyses of acoustic cues revealed some specific phonetic features as potential candidates of carrying the effect of sound on meaning. Short vowels, compared to their long counterparts, can make words sound more negative and arousing. Also, voiceless consonants, hissing sibilants, and—to some extent—plosives, can significantly contribute to making a word more negative and arousing—as our data suggest, both at the level of sound and perceived meaning. It is worth noting that these phonetic cues may not be universal across different languages, as not all languages display systematic variations of some of the phonetic features that we focused on e. The poor ICC values for the first method Study 2a indicate the difficulty of subjective judgments of the implicit sound of a visually presented word independently of its meaning. Even though we attempted to decontaminate these rating values from the effects of semantic content, this method possesses serious limitations and the poor ICC values call for cautious interpretation of these results. Rather than reflecting a direct, forward influence of acoustic features on affective ratings, PAVs, determining PAPs for words in our data might instead, reflect the systematic occurrence of specific phonemes in words of specific affective meaning in terms of arousal and valence levels across the vocabulary of a language. This is because PAVs are is computed as the average of affective ratings of words comprising a given phoneme. In that case, our data establishing close relations between PAP or PAV and acoustic features would help explain an apparent systematic distribution of phonemes across the vocabulary as a function of semantic affective values of words: An iconic relation would link affective attributes of the percept or the basic linguistic sign at the phoneme level with affective semantic meaning at the lexical level—adding an internal to the external relation between the signifier and the signified that would have contributed to the evolution of the vocabulary according to affective iconicity. Our study is the first to demonstrate an association between affective sound and meaning for real words and across a language lexicon. While providing important novel evidence, it also has limitations future research may attempt to overcome. When modeling our alternative hypothesis H1, for the sake of simplicity and in the absence of a theoretically or empirically justified theory, we opted for a simple additive method see Eq 1. Similarly, the role of each phoneme in a word for contributing to the PAP might be differentially weighted depending on its position in the word see Eq 2. Applying more sophisticated methods such as machine-learning-based regressors e. Also, a number of the acoustic features we used are measured as average frequencies, which precludes the use of dynamic sound features e. A more sophisticated approach, for instance, might use the matrix of the spectrogram to quantitatively represent the sound envelope. Since the length of the audio signal i. Alternatively, our acoustic analysis can be complemented by the use of phonetic categories e. In a simple phonetic approach, each phoneme in a word will represent a vector of phonetic features. Consequently, an entire word—comprising different phonemes—can be described as a concatenation of vectors of phonetic features, which can be used to calculate the contribution of any phonetic feature to the affective sound of words; in a similar fashion to our approach concerning PAVs. A practical approach concerning the use of phonetic features instead of acoustic variables would be the use of phonological cues defined as the proportion of consonants with particular manner and place features, and the average height and position of vowels as provided in [ 81 ]. These cues can be used in the same way as our acoustic variables to identify phonological features underlying the PAPs. An advantage of this method would be the simple classification of the phonological construction of a word and its contribution to the sound to meaning relation. Another approach for measuring the affective sound of words can make use of the insights of sonority theory [ 82 , 83 ]. For this, each word can be assigned a sonority score which may also systematically contribute to affective and aesthetic ratings, as supported by recent findings concerning ratings of the aptness of metaphors and the beauty of words [ 79 , 84 ]. Here, our method for assessing the affective sound of words based on its acoustic features could provide a substantial improvement to previous work, which was usually based on the manipulation of a limited group of sounds e. Likewise, in artistic contexts, such as film, literature, and in particular, poetry, our method could be applied to evoke and verify particular emotional effects by use of words that possess specific implicit affective sounds. Poetry is probably the best example of a sound meaning interaction: Indeed, poetry has always artfully deployed sound patterns to shape order, to create a new layer of meaning, and to emphasize the affective meaning in a text. With the present study we provide a complementary method to previous attempts for analyzing poetic texts at the sublexical level [ 55 , 56 , 90 — 94 ], and for further examination of the influence of sound structure on affective and aesthetic reactions to verbal material intended to elicit a certain emotional impact in readers, such as advertisements, political speeches or manifests. The present studies provide novel results on the contribution of the implicit sound of a word to its affective meaning. Our findings have the potential to shed new light on various unanswered questions regarding the evolution, organization, and processing of human language by drawing attention to the role of affect as well as by substantiating the psychological reality of iconicity in everyday language. These new insights may pave the way for further cross-linguistic investigations, as well as the detailed study of the neural substrates underlying the effect of phonology and sound-meaning interaction in language use; a phenomenon creatively exploited particularly by Poe and other poets throughout history. Browse Subject Areas? Click through the PLOS taxonomy to find articles in your field. Abstract Most language users agree that some words sound harsh e. June 6, Copyright: The authors received no specific funding for this work. Introduction Human language has generally been considered to be entirely symbolic in that words convey meaning through conventional and arbitrary links to concepts they refer to [ 1 ]. Motivation for the present study Our approach was motivated by a number of limitations evident in previous work. Quantifying the Phonological Affective Potential PAP Material The Berlin Affective Word List [ 57 ] BAWL was used as a normative database containing a representative mass of German words that has been cross-validated in various empirical studies regarding experiential, behavioral, and neurobiological levels of analysis [ 40 ]. Study 1: Method To test the above relationship, we synthesized the words and extracted their acoustic features, focusing on a total of 11 features that are known to modulate emotional vocalization: Synthesizing and acoustic analyses We synthesized the words using the eSpeak [ 61 ] as front-end to the male voice de4 from MBROLA [ 62 ] which consists of a speech synthesizer; based on the concatenation of diphones, and of diphone databases. Study 2a: Participants A total of participants were recruited by flyers, email contacts, and Facebook posts, who then rated the words either for valence or for arousal. Procedure Words were presented visually. Analysis Each word was rated by an average of Study 2b: Participants A total of participants were recruited by flyers, email contacts, and Facebook posts, who rated the pseudowords either for valence or for arousal. Procedure In order to afford a convenient method of sampling that was more representative of the general population, the study was conducted online using the SoSci panel [ 70 ]. Analysis Affective ratings were obtained for pseudowords with 17 ratings per item on average Results and discussion From the total of 11 acoustic variables, eight variables in the acoustic profile for arousal five variables after Bonferroni correction and four in the acoustic profile for valence three variables after Bonferroni correction were significantly correlated with AM-R aro and AM-R val , respectively Fig 3 and S5 Table. Acoustic phonetic cues underlying the effect of sound on meaning Revealing the perceptual acoustic cues likely underlying the effect of implicit sound on affective meaning, we performed further analyses to explore phonetic features potentially causing this effect. Long vs. Plosive consonants Among words with the lowest sound intensity, many include plosive consonants e. Valence vs. Phonetic features Our analyses of acoustic cues revealed some specific phonetic features as potential candidates of carrying the effect of sound on meaning. Limitations and future research Our study is the first to demonstrate an association between affective sound and meaning for real words and across a language lexicon. Conclusion The present studies provide novel results on the contribution of the implicit sound of a word to its affective meaning. S1 Database. S1 Table. S2 Table. S3 Table. S4 Table. S5 Table. References 1. De Saussure F. Course in general linguistics. Columbia University Press; Poe EA. The bells. Jakobson R. Closing statement: Linguistics and poetics. Style Lang. View Article Google Scholar 4. Tsur R. What makes sound patterns expressive the poetic mode of speech perception. Duke University Press; Schrott R. Gehirn und Gedicht: Wie wir unsere Wirklichkeiten konstruieren. Hanser; Swearing, euphemisms, and linguistic relativity. PLoS One. Carlin G. MPI Media Group; Lectures on sound and meaning. Cambridge, MA: MIT Press; Sapir E. The status of linguistics as a science. Language Baltim. JSTOR; ; — View Article Google Scholar Kohler W. Gestalt Psychology I couldn't help but stay there and enjoy the sound. It lasted about 20 seconds until she flushed. I stayed aside as if I had just arrived and saw this beautiful brunette walk of the there. She smiled, said hello and proceeded back to the party. It so happened that this gorgeous girl was sitting at the table next to ours. I kept looking at her for the rest of the evening, closing my eyes and hearing her go again and again. It was the best company party I've ever been to. I am noisy when I piss. I like to stand over the toilet a lot of the time and I aim into the centre of the water. But like most women my pussy makes a loud hissing noise when I am pissing and my husband enjoys it. Reading this thread reminds me of my college days. I had a room next to the ladies loos and, on occasion, fed up with trying to study, I couldn't resist going in to the loos. There were three cubicles and I would shut myself in the middle one and wait for "clients" to come. The partitions between the cubicles did not reach right down to the ground so you could hear everything going on and see Nevertheless there was a thrill when the outside door opened, a girl stepped in, locked the door to the cubicle, lowered her jeans and panties and let flow, noisily. Inevitably I got caught one day by a group of girls who came in together, summoned by an earlier visitor whose suspicions had been aroused by the locked middle door. They knocked on the door and I had no option but to emerge, blushing with embarrassment and muttering something about having gone in by mistake. Never again! Crime doesn't pay! I'm actually more interested in how someone eats. I can find out if they are a refined person with manners Emily Post would approve, of or a slob. I love the sounds my lover makes when she releases her fountain, but, only as a part of intimate play. There has to be a sense of connection and being allowed to participate in an act she wouldn't share unless there's a level of trust and intimacy. Listening to some random person peeing does nothing for me. In general, I tend to see watersports apart from the normal act of urination; the latter doesn't interest me at all. Watersports as with any physical intimacy requires preparation and hygiene as with any other aspect of intimacy with another person. I had a work buddy, 30 yrs ago, who used the expression, "I'd crawl thru 10 miles of broken glass to listen to her pee over the phone". I absolutely love hearing my wife pee.

Scherer KR. Vocal communication of emotion: A review of research paradigms.

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Speech Commun. Perceptual cues in nonverbal vocal expressions of emotion. Juslin PN, Laukka P. I am noisy when I piss. I like to stand over the toilet a lot of the time and I aim into the centre of the water. But like most women my pussy makes a loud hissing noise when I am pissing and my husband enjoys it. Reading this thread reminds me of my college days. I had a room next to go here ladies loos and, on occasion, fed up with trying to study, I couldn't resist going Peeing all over hiss to the loos.

There were three cubicles and I would shut myself Peeing all over hiss the middle one and Peeing all over hiss for "clients" to come. The partitions between the cubicles did not reach right down to the ground so you could hear everything going on and see Nevertheless there was a thrill when the outside Peeing all over hiss opened, a girl stepped in, locked the door to the cubicle, lowered her jeans and panties and let flow, noisily.

Inevitably I got caught one day by a group of girls who came in together, summoned by an earlier visitor whose suspicions had been aroused by the locked middle door. They knocked on the door and I had no option but to emerge, blushing with embarrassment article source muttering something about having gone in by mistake.

Never again! Crime doesn't pay! I'm actually more interested in how someone eats. I can find out if they are a refined person with manners Emily Post would approve, of or a slob. I love the sounds my lover makes when Peeing all over hiss releases her fountain, but, Peeing all over hiss as a part of intimate play.

There has to be a sense of connection and being allowed to participate in an act she wouldn't share unless there's a level of trust and intimacy.

Peeing all over hiss

Listening to some random person peeing does nothing for me. In general, I tend to see watersports apart from the normal act of urination; the latter doesn't visit web page me Peeing all over hiss all. Watersports as with any physical intimacy requires preparation and hygiene as with any other Peeing all over hiss of intimacy with another person.

I had a work buddy, 30 yrs ago, who used the expression, "I'd crawl thru 10 miles of broken glass to listen to her Peeing all over hiss over the phone".

I absolutely love hearing my wife pee I swear she has an overactive bladder because she is constantly having to go, and when she does I also just recently went to the beach where they had two porta-potties right next to each other. As I was going I Peeing all over hiss see through the vents in the top a women go into the one next to me and then heard her relieving herself My Girlfriend will call me on article source phone and then put the Peeing all over hiss down close and pee.

The sound of it being released from her and hitting the water in the toilet is incredible. She will also leave me voicemails of her peeing.

Then she will remark "don't you wish you were sitting underneath me". It's also a potential tip-off to sugar in your urine, which could indicate diabetes, or protein, which is a sign that your kidneys are leaking things that shouldn't end up in that bowl. As a one-off, foamy pee isn't necessarily concerning. But if it's regular, it could be due to the same causes as cloudy urine and you should make an appointment with a medical professional.

If your pee smells awful even though you're staying hydrated and haven't been consuming things that usually result in an odor, it could be a Peeing all over hiss that you have an infection. It's also possible that your kidneys are accidentally spilling glucose or protein into Peeing all over hiss urine, Gill says. Peeing all the time continue reading be a sign of diabetes in children, but in adults, that's less likely.

Instead, the hint could be in pee that has an unusual sweet smell. That's because diabetes might cause glucose to leak into your urine, according to Brucker. Food and drink like garlic and coffee can affect how your pee smells, but the effect is much less obvious if you're staying really well-hydrated, Gill says. The difference is that only some people have the smell receptor to pick up on the funk, Brucker says. Leaking a little pee when you laugh, sneeze, or exercise is known as stress urinary incontinence.

And it's annoying, but often fixable, or at least manageable. Using the toilet before exercising can help reduce the amount of leakage as well. This is because older women have often gone through various pregnancies and vaginal deliveries, which can weaken the muscles that help keep pee inside you until you're ready to go.

Either way, it's definitely common and Peeing all over hiss nothing to be ashamed of. It's highly unlikely that you'll screw up Peeing all over hiss health if you occasionally put off going to the bathroom.

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Peeing all over hiss Still, going every few hours is better than holding out, because theoretically it could cause infection. If you pee less than milliliters per day about nine shot glassesyou should up your water intake.

If you still aren't peeing more, see a doctor to find out if something's going on medically. I had never done it before, but I had heard that squirting felt a lot like peeing and I wanted to believe that was what happened. And that seemed like a pretty good clue. I did not consciously decide to lie but it seemed like the only Peeing all over hiss I told him I had squirted, but somehow this year-old man had not heard of female ejaculation. Eventually, he gave up, probably because I looked like I was about Peeing all over hiss cry, which gave me the opportunity to excuse myself to take a shower and hose what was definitely urine off of my body.

Parking downtown state college. Most language users agree that some words sound harsh e. We tested the Peeing all over hiss that the sound of a word possesses affective iconic characteristics that can implicitly influence listeners when evaluating the affective meaning of that word.

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The results show that a significant portion of the variance in affective meaning ratings of printed words depends on a number of spectral and temporal acoustic features extracted from these words after converting them to their spoken form study1. In order to test the affective nature of this effect, we independently assessed the affective sound of these words using two different methods: Further analyses revealed crucial phonetic features potentially causing the effect of sound on meaning: Our findings suggest that the process of meaning making is not solely determined by arbitrary mappings between formal aspects of words and concepts they refer to.

The role of sound in affective meaning making. April 21, ; Accepted: May 18, ; Published: June 6, This is an open access article distributed under the terms of the Creative Commons Attribution Licensewhich permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. Data Availability: Competing interests: The authors have declared that no competing interests exist.

Human language has generally been considered to be entirely symbolic in source words convey meaning through conventional and arbitrary links to concepts they refer to [ 1 ].

From this perspective, phonemes i. Within literary studies, many have noted that poetry achieves much of its affective aesthetic impact through sound manipulation, and that phonological structure has a semantic function beyond the Peeing all over hiss [ Peeing all over hiss — 5 ].

In a similar fashion, swear words usually possess specific phonological patterns that can potentially amplify the negative emotional response that they mean to evoke [ 6 ]. However, despite the fact that influential linguists and experimental psychologists throughout the last century promoted the idea that the sound of a word may have a synchronic, productive effect on overall meaning construction [ 8 — 10 ], the notion of the arbitrariness of the linguistic sign [ 1 ] has generally dominated research on human language.

More recently, a growing body of research challenges the idea of absolute Peeing all over hiss by providing evidence for non-arbitrary sound-to-meaning correspondences see [ 11 — 13 ] for reviews including Peeing all over hiss universal patterns across various languages of the world [ 14 ].

These results assign a supplementary function to sound-to-meaning correspondences that structure vocabulary [ 1516 ] and play an important role for both phylogenetic Peeing all over hiss evolution [ 16 — 18 ] and ontogenetic language development [ 1819 ].

Nonetheless, despite Peeing all over hiss increasing number of studies examining sound-to-meaning associations, to the best of our knowledge, there has been no Peeing all over hiss study examining whether specific properties in the sound of a real word play a part in contributing to its overall meaning. With the present study, we aimed at Peeing all over hiss this research question.

Our approach was motivated by a number of limitations evident in previous work. Experimental research based on behavioral data has hitherto merely investigated the links between some selective, rather isolated attributes of meaning e. Such approaches exhibit three major limitations that we aimed to address in the present study.

The first limitation relates to the focus on semantic effects of phonemes in nonwords instead of natural words. Such studies are motivated by the fact that natural words in a language are linked to predetermined semantic click at this page that are automatically activated during word recognition.

In order to disentangle the effect of Peeing all over hiss from that of Peeing all over hiss, the majority of previous studies therefore relied on nonword stimuli usually used in a forced-choice paradigm thus limiting the generalizability of the results to real words.

Listening to others pee

However, in a natural language like English, they appear in the corresponding semantic concepts in the opposite Peeing all over hiss This begs the question to what extent the results of these studies can be linked to natural language processing and whether the assumed quality of phonemes has, if any, effects on the evaluation of meaning for real words.

A second issue relates to the problem of deciphering the likely cause s of sound-to-meaning correspondences.

Proposals on non-arbitrariness of language distinguish between two types of motivations for such sound-meaning mappings [ 12 ]: Iconicity, which is based on perceptual similarities between sound and meaning e. Besides some familiar and straightforward Peeing all over hiss of iconicity—such as onomatopoetic words—research in this field still faces the question of whether existing findings on the relationship between sound and meaning are caused by specific distributions of phonemes in a language i.

The role of affect Peeing all over hiss a most basic human experience shaping the learning, representation, and processing of language [ 25 — 29 ] Peeing all over hiss been surprisingly neglected.

Indeed, affective dimensions of words, in particular, valence and arousal, are essential features defining a two-dimensional semantic space allowing for a very basic and potentially the most relevant distinction between different concepts; as empirically established by semantic differential [ 30 ]. Factor analyses conducted on the wide variety of verbal judgments indicated that most click at this page the variance was accounted for by three major Peeing all over hiss dimensions: Therefore, these factors have Peeing all over hiss considered basic dimensions of the semantic space within which the meaning of any concept can be specified.

Thus iconicity can serve as an interface for accomplishing the need to map linguistic form to human affective experience as a vital part of meaning making. Our approach in this work is based on an embodied view of language which proposes that meaning is grounded in behavior perception and action and neural circuitry of the producer or the interpreter of linguistic signs [ 252836 — 40 ]. Presumably, the most fundamental such system is affect: Moreover, the ability to distinguish between such affective contexts or reactions is linked to attention systems that select specific sensory input for further processing, and also to motor systems Peeing all over hiss select specific actions for output.

Both systems i.

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Findings on the role of affective meaning in modulating various cognitive processes, such as learning, memory, attention or language processing, [ 25262841 ] support the idea that affective meaning is intertwined with other lexico-semantic aspects and has an essential and basic contribution to the process of meaning making.

Note that our use of the term affective sound in this paper refers exclusively to phonological constituents of words themselves and not to speaker-related issues such as intonation or how a word is spoken. Our main hypothesis is motivated by research on nonverbal emotional vocalization and, in particular, emotional prosody which has shown that the emotional significance of a sound can be detected, and hence be integrated Peeing all over hiss higher-order cognition, even when the attentional focus is not directly on the emotional cues of the sound [ 42 — 45 ].

Such emotional cues have been shown to be engaged even in silent reading by means of cross-sensory input from the visual cortex into the auditory cortex and affective regions in the brain [ 4647 ]; as put forward by theories of embodied cognition and perceptual simulation.

On the other hand, phonemes and their combinations as in words are characterized by a number of acoustic features that overlap with those that modulate emotional vocalization and emotional prosody e. Therefore, the specific sound profile of any word in a language can theoretically be attributed to a specific emotion as perceived by the listener. The first component concerns emotional valence going from unpleasant to pleasant.

Peeing all over hiss second type of ratings addresses the degree of emotional arousal ranging from excited e. For instance, harsh-sounding words might make people feel more aroused so that they implicitly give a higher arousal rating, even Peeing all over hiss they are instructed to Peeing all over hiss focus on the lexico-semantic aspect of words.

In order to test H1, we chose a computational approach that employs signal averaging to amplify the potential effect of sound on meaning. We then compared the PAP with these two independent measures of affective sound to test for their potential associations.

The Berlin Affective Word List [ 57 ] Continue reading was used as a normative database containing a representative mass of German words that has been cross-validated in various empirical studies regarding experiential, behavioral, and Peeing all over hiss levels of analysis [ 40 ]. The BAWL includes words from different classes nouns, verbs, and adjectives that were selected based on the following Peeing all over hiss criteria: As a consequence, the BAWL contains a relatively elevated percentage of emotion-laden words.

However, valence and arousal values of words in the BAWL are spread across the entire range of both valence and arousal in order to make it an optimal tool for selecting verbal material for all kinds of research questions on affective language processing.

We estimated the PAP by averaging the potential affective effects of all phonemes regardless of their position in the word. We thus attempted to minimize the effect of noise while increasing the signal-to-noise-ratio SNR by averaging. That is, for each phoneme, we calculated the average rating values of words that Peeing all over hiss this phoneme Fig 1A. The phonemes Peeing all over hiss analyzed one-by-one to determine their potential effect on valence and arousal ratings.

The potential affective effect caused by each single phoneme i. PAV was computed as the average of valence or arousal ratings of words containing this specific phoneme. B Words were synthesized and their extracted acoustic features were used in Peeing all over hiss multiple linear regression models as predictors for the PAP of arousal right and valence left.

The acoustic variables 11 in total accounted for This led to the exclusion of words that contained phonemes with a lower frequency, including those that Peeing all over hiss not a part of German phonology.

For each of the 36 phonemes in the database Ph i the PAV was visit web page separately for arousal and valence as follows: Results are shown in S1 Table.

Fuked tube Watch Video 3d porncraft. I starfished out for a moment in pure panic at what I had just done, and attempted to cover the wet with my body. But then we both leapt up because, well, I had just peed on us. There were a few moments of silent standoff while we both hovered over the newly soaked bed, and during that time, I wondered if it was possible that I had ejaculated. I had never done it before, but I had heard that squirting felt a lot like peeing and I wanted to believe that was what happened. And that seemed like a pretty good clue. Implications for learning and processing. Lang Cogn Process. Perniss P, Vigliocco G. The bridge of iconicity: How communication changes when we cannot mime the world: Experimental evidence for the effect of iconicity on combinatoriality. Elsevier B. Imai M, Kita S. The sound symbolism bootstrapping hypothesis for language acquisition and language evolution. How arbitrary is language? Thompson PD, Estes Z. Sound symbolic naming of novel objects is a graded function. Q J Exp Psychol. Ohala JJ. Ethological theory and the expression of emotion in the voice. Christiansen MH, Monaghan P. Division of Labor in Vocabulary Structure: Insights From Corpus Analyses. Top Cogn Sci. Phonological typicality influences on-line sentence comprehension. Bergen BK. The psychological reality of phonaesthemes. Linguistic Society of America; ; Toward a theory of semantic representation. Lang Cogn. Emotion words, regardless of polarity, have a processing advantage over neutral words. The Representation of Abstract Words: Why Emotion Matters. J Exp Psychol Gen. On elementary affective decisions: To like or not to like, that is the question. Schmidtke DS, Aryani A. Phys Life Rev. Elsevier; ; Osgood CE. The nature and measurement of meaning. Psychol Bull. American Psychological Association; ; Mehrabian A. Basic dimensions for a general psychological theory implications for personality, social, environmental, and developmental studies. Darwin C. The descent of man and selection in relation to sex. Murray; Wundt WM. Die Kunst. Engelmann; Panksepp J. Emotional causes and consequences of social-affective vocalization. Handbook of Behavioral Neuroscience. Elsevier; Ma W, Thompson WF. Human emotions track changes in the acoustic environment. Coming of age: A review of embodiment and the neuroscience of semantics. Elsevier Srl; ; Gallese V, Lakoff G. The role of the sensory-motor system in conceptual knowledge. Cogn Neuropsychol. Glenberg AM. Embodiment as a unifying perspective for psychology. Wiley Interdiscip Rev Cogn Sci. Wiley Online Library; ;1: Fischer; ; What are the echoes? Gender, emotion, and the embodiment of language comprehension. Emot Rev. The voices of wrath: Brain responses to angry prosody in meaningless speech. Nat Neurosci. The sound of emotions-Towards a unifying neural network perspective of affective sound processing. Neurosci Biobehav Rev. Schirmer A, Kotz SA. Beyond the right hemisphere: Brain mechanisms mediating vocal emotional processing. Emotional voices in context: The cerebral representation of emotional voice cues described in literary texts. Soc Cogn Affect Neurosci. How Silent Is Silent Reading? J Neurosci. J Mem Lang. Pseudohomophone effects provide evidence of early lexico-phonological processing in visual word recognition. Hum Brain Mapp. Wiley Online Library; ; Breen M. Empirical investigations of the role of implicit prosody in sentence processing. Linguist Lang Compass. Phonetic feature encoding in human superior temporal gyrus. Science The frequency codes underlies the sound symbolic use of voice pitch. Sound symbolism. Phonological iconicity electrifies: An ERP study on affective sound-to-meaning correspondences in German. Inherent emotional quality of human speech sounds. Cogn Emot. Extracting salient sublexical units from written texts: Psychol Aesthet, Creat, Arts. Behav Res Methods. Scherer KR. Vocal communication of emotion: If you see anything other than yellow or if you see consistently bright yellow even if you drink a ton of water , it's a good idea to call your doctor. It's also a potential tip-off to sugar in your urine, which could indicate diabetes, or protein, which is a sign that your kidneys are leaking things that shouldn't end up in that bowl. As a one-off, foamy pee isn't necessarily concerning. But if it's regular, it could be due to the same causes as cloudy urine and you should make an appointment with a medical professional. If your pee smells awful even though you're staying hydrated and haven't been consuming things that usually result in an odor, it could be a sign that you have an infection. It's also possible that your kidneys are accidentally spilling glucose or protein into your urine, Gill says. Peeing all the time could be a sign of diabetes in children, but in adults, that's less likely. Instead, the hint could be in pee that has an unusual sweet smell. That's because diabetes might cause glucose to leak into your urine, according to Brucker. Food and drink like garlic and coffee can affect how your pee smells, but the effect is much less obvious if you're staying really well-hydrated, Gill says. The difference is that only some people have the smell receptor to pick up on the funk, Brucker says. Leaking a little pee when you laugh, sneeze, or exercise is known as stress urinary incontinence. And it's annoying, but often fixable, or at least manageable. Using the toilet before exercising can help reduce the amount of leakage as well. This is because older women have often gone through various pregnancies and vaginal deliveries, which can weaken the muscles that help keep pee inside you until you're ready to go. Either way, it's definitely common and also nothing to be ashamed of. It's highly unlikely that you'll screw up your health if you occasionally put off going to the bathroom. Still, going every few hours is better than holding out, because theoretically it could cause infection. If you pee less than milliliters per day about nine shot glasses , you should up your water intake. I love to listen to women pee - and I'll often find a restroom at work where I can hear through the thin walls. I'm curious to know if others also enjoy the sounds of peeing. Specifically I enjoy hearing women pee as it is sometimes a hard stream and others times a softer stream. Both are wonderful to hear for me. Anyone else enjoy this? While I think it's a little freaky to listen to women pee through thin walls, I guess there's no harm in it as long as they are not visible to you or you aren't doing anything illegal. Have you noticed that it sounds different when you are in an adjacent room versus on the floor below? LOL - yes, I think I do. Perhaps it is a little odd, but I don't think there's harm in it given that I'm in a separate room. It's a nice aural experience for me, is all. Yes I love to hear some one pee. I think I am watching them, or they are peeing on me. It a real turn on. I enjoy it even though it may be kinky. Yes, I also enjoying hearing women pee. Back when I was 21, I was attracted to this year-old woman classmate in university. The library had two bathrooms side by side; they were separate little rooms where the doors could lock, not stalls. I went in one and she went in the other. I actually didn't need to use the bathroom. I just wanted to hear her pee. I placed my ear to the wall. It took a while for her to start I figured that she must have taken off her skirt and pantyhose completely, maybe even her panties too and hung it on the hook on the door. It started off with a brief, very short stream hitting the water and then she let go for about a minute. It was heaven to my ears. Finally it stopped, I heard the toilet paper roll going and I could swear she let out a sigh of pleasure as she was wiping herself. Another long while passed before she finally flushed probably getting dressed. I love to hear the sound of women peeing. This is true for only wives and girlfriends though. I'm hoping to do all the different sections in the next few weeks, so you can choose which of my super pissing sounds you prefer. I've been having trouble with the mobile website, but I've still put this first one together with a grand selection of power, tinkle, quiet, stop start. Some of my pees I found difficult to get out because my bladder was so overfull drunk! Nobody can piss like I do! My super pisses all last over a minute, some are nearly two! God bless my super bladder!! Just click on the PayPal and pay 3 pounds and I'll send you the download link xx The recording is compressed mp3 and it's 34 minutes long. Your browser does not support the super pisser audio element. Or Victoria can send you a PayPal invoice. Stop-Start Peeing Below is my second super peeing presentation for you, this one is my pelvic floor excercises, my stopping and starting my pee stream, there's a lot of squirting and each super pee I do is nothing less than 30 seconds, many are more than a minute long. I love squeezing and tensing my lovely bladder and making the sexy hissy noises that I'm training my pussy to make!.

The Phonological Affective Potential for valence or arousal for a continue reading word W k will then be: Peeing all over hiss that all of the following studies were conducted for the remaining number of words for which the PAP was calculated. If the PAP of written words is somehow linked to Peeing all over hiss cues present in their phonological forms, we would expect it to be related to the acoustic features of that form.

To test the above relationship, we synthesized the words and extracted their acoustic features, focusing on a total of 11 features that are known to modulate emotional vocalization: By Peeing all over hiss the words, we distinctly separated our dependent and independent variables: Although the artificial nature of Peeing all over hiss synthesized voice could diminish the goodness of acoustic models, a positive result would all the more support the effects in question.

We synthesized the words using the eSpeak [ 61 ] as front-end to the male voice de4 from MBROLA [ 62 ] which consists of a speech synthesizer; based on the concatenation of diphones, and of diphone databases. The rate of speech was set at wpm words per minute. All spoken words were checked for intelligibility by two male native speakers not otherwise involved in the study. Both speakers agreed on the intelligibility of all words: The acoustic analyses reported next were carried out on all of the words in the database.

The results are summarized in Fig 1B and S2 Table. Words in the database that are derived from the same stem or root continue reading e.

This could potentially bias the relationship between PAP and the way words sound. This time, the 11 acoustic variables accounted for The successful outcome and even larger portion of explained variance corroborates our previous results and validates the method used to uncover the effects of phonological units. We expected to obtain a better Peeing all over hiss for PAV and consequently PAP when the number of phonemes in a word is reduced, as is the case for monosyllabic words.

By showing that a considerable part of the variance in PAPs depends on the acoustic features of the spoken word Peeing all over hiss, we could reject H0 stating that PAPs are a mere product of chance. Instead, H1 was supported: We take this as a first support for the validity or psychological reality of the effect Peeing all over hiss question.

Tube melons Watch Video Kenner Sex. Log in or link your magazine subscription. Account Profile. Sign Out. Sarah Maxwell. Most Viewed Stories. You should enter any pissing contests before you go gray. As men age, their prostates get larger, potentially obstructing the urine stream and making it less forceful. A weaker pee stream isn't as much of an issue for older women, but it can still happen because the lining of the bladder and urethra become less supple, Dr. As men get older they naturally make less testosterone, while women's production of estrogen dips. All these changes can also result in older people needing to pee more often than they used to. A study backs up this newer school of thought. If you drink your pee because The different colors can immediately tell you whether you're getting enough water, or that there could even be something else going on, Gill says. Stare into the bowl for some answers, and use this key as your guide. Dark yellow: The more concentrated the yellow gets, the less hydrated you are. Seeing honey or marigold tints? Focus on drinking more water so your body can do its thing you know, keeping you alive and healthy to the best of its ability. There might be old blood in your urine, or you could have a serious liver infection. Red or pink: This is a sign that there's fresh blood in your urine, which is a warning of infection or potentially something more serious, like kidney issues or even cancer. Blue, green, orange, or some other rainbow color: It's rare that normal amounts of any food of will change the color of your urine, Gill says. Instead, chalk these up to medications or supplements, or in much less common cases, food dye. Thus, items were excluded: In addition, because of phonotactic problems mostly caused by illegal or very rare grapheme combinations items were excluded: The remaining pseudowords were selected for recording. A professional male actor was recruited in Berlin, Germany, who was a native speaker of German. He had graduated from professional acting school and was regularly employed in radio, television, and stage work. He was paid to participate. A total of participants were recruited by flyers, email contacts, and Facebook posts, who rated the pseudowords either for valence or for arousal. Participants had the chance to win one of 10 Amazon coupons which were assigned randomly at the end of the study. All participants were native German speakers. In order to afford a convenient method of sampling that was more representative of the general population, the study was conducted online using the SoSci panel [ 70 ]. Adapting the instructions used for the original BAWL ratings for written words, participants were invited to carefully listen to the presented item and evaluate how positive or negative in the case of valence and how exciting or calming in the case of arousal the pseudowords sounded. Importantly, participants were instructed to give their ratings solely based on the sound aspect of items and not based on their similarity to real words. Pseudowords were randomly divided into 4 different lists, each including about pseudowords. The order of presentation was pseudorandomized for each participant. Affective ratings were obtained for pseudowords with 17 ratings per item on average We extracted the 11 acoustic features from the spoken pseudowords see study 1 and performed two multiple regression models using them as predictors of the ratings separately for arousal and valence. These features accounted for Since our ultimate goal was to predict the affective sound of real words, in order to assess how the results of the above models generalize to an independent data set i. The dataset was randomly shuffled into two subsets with equal size one for training and one as a test set, and vice versa. Model accuracy for each run was These are very robust results in terms of explained variance compared to the original models. The substantial amount of variance accounted for in our regression model for arousal indicates that the affective sound of word-like stimuli could be mapped out in terms of their acoustic cues; a strong evidence for acoustic features to possess affective value on their own. We next took the two acoustic models i. Results showed significant correlations between the measure of affective sound based on the direct rating value i. AS-R, Study 2a and the predicted values of affective sound based on acoustic features i. AS-P, Study 2b for both arousal: Thus, we examined the direct relationships between each acoustic feature and the PAP on the one hand, and our two measures of affective sound i. Phonological Affective Potential: Affective Sound-Ratings: Affective Meaning-Ratings: AM-R on the one hand, and 11 acoustic variables on the other hand left for valence, right for arousal. Acoustic features that significantly correlated with the PAP, AS-R, AS-P, and AM-R always show associations in the same direction, suggesting that acoustic features underlying the affective sound of words contribute in similar ways to the constitution of affective meaning of these words. B The correlation probabilities are shown in the table. Notably, the correlations between each acoustic variable and PAP aro were always in the same direction as correlations between this specific acoustic variable and both measures of affective sound for arousal i. A similar pattern was observed for valence. The PAP val was significantly correlated with seven acoustic variables, and, importantly, these correlations were, again, always in the same direction as for the acoustic variables and both measures of affective sound for valence i. All correlations in the acoustic profile of arousal remained significant after Bonferroni correction for multiple comparisons. For the acoustic profile of valence, however, the correlation between the third formant F3 and PAP val did no longer reach statistical significance after Bonferroni correction. We interpret this as strong support for PAPs being determined by affective perceptual cues within phonological word forms. From the total of 11 acoustic variables, eight variables in the acoustic profile for arousal five variables after Bonferroni correction and four in the acoustic profile for valence three variables after Bonferroni correction were significantly correlated with AM-R aro and AM-R val , respectively Fig 3 and S5 Table. Revealing the perceptual acoustic cues likely underlying the effect of implicit sound on affective meaning, we performed further analyses to explore phonetic features potentially causing this effect. The consistently negative correlations between sound intensity and each of the four arousal-based measures: Note that all words and pseudowords were spoken with the same loudness, thus differences in sound intensity have to be tracked back to specific phonetic features of the words in the database. A closer look at the spectrograms reveals that words with the highest sound intensity tend to include long vowels e. This Vowel Length Index was significantly correlated with sound intensity across all words in the database: With regard to affective perception, note that long vowels are produced through a release of air from the mouth for an extended period of time which is a behavior similar to slow vs. This relationship between affective states and sound duration is also stressed in the motivation-structural rules hypothesis [ 74 ] stating that calls produced by mammals in aggressive circumstances, termed barks or grunts , are generally of shorter duration than those produced in appeasement contexts. On the other hand, at the spectrogram level, the sustained high amplitude for long vowels causes a larger integral of energy for the whole sound envelope leading to the negative correlation between arousal and sound intensity see Fig 4A. Note also that the variation of intensity of sound over time Intensity-SD accordingly displays a positive correlation with arousal. A comparison between the PAV of short vowels and their long counterparts see S1 Table revealed the same pattern: In addition, short vowels tend to be followed by more consonants i. Voiced consonants are accompanied by vocal cord vibration that leads to an increase in sound energy compared to their voiceless counterparts. In order to explore the relationship between voicing and the affective sound of words, we defined a phonetic cue based on the relative proportion of voiced consonants to all consonants in a word. AS-R aro: These results indicate that voiceless consonants sound on average more arousing and negative than voiced consonants, which, in turn, appear to make words sound softer and more pleasing. Among words with the lowest sound intensity, many include plosive consonants e. The interruption and explosive release of the air stream in the pronunciation of plosive sounds can be associated with a higher level of arousal, but at the same time, during a stop closure, there is very little acoustic energy. This may explain the lower level of sound intensity and a higher level of arousal at the same time for words that include this type of phonemes see Fig 4A. Similar to voicing, we defined a phonetic cue indicating the relative proportion of plosive consonants to all consonants in a word. This phonetic cue was significantly correlated with sound intensity: A larger high-frequency energy and raising of the first formant are typical characteristics of hissing sibilants alveolar fricatives and affricates, e. This results in a literally high-arousing hissing sound, which may account for the cross- and paralinguistic use of these sounds for attracting the attention of others e. Similarly, it is the presence of such a hissing sound following a short vowel that makes the small, but striking difference at the phoneme level between two words referring to one and the same concept from a very basic domain of physical human experience, out of which one is considered rather vulgar and rude, while the other seems more childish and polite: Overall, the results of our computational approach and acoustic analyses, together with the data from the behavioral studies, provide strong support for the hypothesis that phonemes possess affective potential based on their spectro-temporal acoustic features known to modulate emotional vocalization. These results emphasize the iconic nature of the relationship between the implicit sound of a phoneme and its affective quality on the one hand and affective meaning of words comprising these phonemes on the other. As outlined in the introduction, with this study we addressed three major issues generally involved in previous research on iconicity. First, by focusing on a representative number of real words—instead of pseudowords—, our novel results improve the understanding of the effect of implicit sound on the process of meaning making for natural words, in particular concerning their affective meaning. We showed that not only specific sound profiles of words have an affective quality, but also that this quality implicitly influences language users in their final emotional judgment about the meaning of words. Secondly, our behavioral studies and acoustic analyses helped to overcome a major limitation of previous work showing that the relation between affective sound and meaning reflects more than just some statistical regularities within the language i. Rather, our data suggest that the sound shape of words possesses an inherent affective quality i. Finally, investigating the role of affect and affective meaning of words, we moved beyond the narrow focus on single, limited semantic concepts see also [ 19 ] , which enabled us to test sound-meaning correspondences across a wide range of words, representative of the entire lexicon. Importantly, the iconic affective potential of phonemes i. PAP , as suggested by our results, contributes to the process of affective meaning making even when words are visually presented and silently read. Note that visual word recognition generally involves the activation of phonological codes [ 48 — 50 ] and language users appear implicitly influenced by affective sound of visually presented words when evaluating the affective meaning of these words. Overall, our results were generally stronger for arousal than for valence. That is acoustic speech properties provide vocal cues to the level of arousal, above that of valence [ 56 , 59 , 60 , 75 ]. Reviews of earlier attempts to decode emotional significance from vocal cues commonly failed to identify a set of vocal features that reliably differentiate between the levels of valence. Arousal is generally understood as related to a physiological state of being reactive to a stimulus, and it appears plausible that this could be reflected in the vocal behavior of the sender and thus extend to acoustic features of the speech signal. Valence, on the other hand, involves higher order, cognitive, and evaluative processes that are less likely to be detectable at such a basal sublexical level [ 56 , 76 — 78 ], thus corresponding less well than arousal to any consistent acoustic mapping. Our analyses of acoustic cues revealed some specific phonetic features as potential candidates of carrying the effect of sound on meaning. Short vowels, compared to their long counterparts, can make words sound more negative and arousing. Also, voiceless consonants, hissing sibilants, and—to some extent—plosives, can significantly contribute to making a word more negative and arousing—as our data suggest, both at the level of sound and perceived meaning. It is worth noting that these phonetic cues may not be universal across different languages, as not all languages display systematic variations of some of the phonetic features that we focused on e. The poor ICC values for the first method Study 2a indicate the difficulty of subjective judgments of the implicit sound of a visually presented word independently of its meaning. Even though we attempted to decontaminate these rating values from the effects of semantic content, this method possesses serious limitations and the poor ICC values call for cautious interpretation of these results. Rather than reflecting a direct, forward influence of acoustic features on affective ratings, PAVs, determining PAPs for words in our data might instead, reflect the systematic occurrence of specific phonemes in words of specific affective meaning in terms of arousal and valence levels across the vocabulary of a language. This is because PAVs are is computed as the average of affective ratings of words comprising a given phoneme. In that case, our data establishing close relations between PAP or PAV and acoustic features would help explain an apparent systematic distribution of phonemes across the vocabulary as a function of semantic affective values of words: An iconic relation would link affective attributes of the percept or the basic linguistic sign at the phoneme level with affective semantic meaning at the lexical level—adding an internal to the external relation between the signifier and the signified that would have contributed to the evolution of the vocabulary according to affective iconicity. Our study is the first to demonstrate an association between affective sound and meaning for real words and across a language lexicon. While providing important novel evidence, it also has limitations future research may attempt to overcome. When modeling our alternative hypothesis H1, for the sake of simplicity and in the absence of a theoretically or empirically justified theory, we opted for a simple additive method see Eq 1. Similarly, the role of each phoneme in a word for contributing to the PAP might be differentially weighted depending on its position in the word see Eq 2. Applying more sophisticated methods such as machine-learning-based regressors e. Also, a number of the acoustic features we used are measured as average frequencies, which precludes the use of dynamic sound features e. A more sophisticated approach, for instance, might use the matrix of the spectrogram to quantitatively represent the sound envelope. Since the length of the audio signal i. Alternatively, our acoustic analysis can be complemented by the use of phonetic categories e. In a simple phonetic approach, each phoneme in a word will represent a vector of phonetic features. This recording is 31 minutes long, it's 3 UK pounds and it's a compressed mp3. Quiet Secret Pissing, Here is my fourth pee audio sound file, it's full of quiet, hushed up pees that I do when I think someone is either listening to me or they're waiting outside the loo door. The longest one on this download is 2. Well thanks! It's just that I get embarrassed easily, that's why I pee quietly when I think someone can hear me, but don't forget that I have my phone between my legs, so it's not THAT quiet! Quite a bit of piss hissing going on in this recording. This is my 5th pee set and they're all my efforts at holding my pee until I can eiither take a pee break, or not take one more step and get to a toilet and see if I can make my pee hiss and I was very successful. All of this 34 minutes sound file is of my lovely pissing and it has hissing included in each pee, I'm very pleased and so pround that I can make this lovely erotic female sound for you x You're buying all of my blood, sweat and tears, not to mention my pain! For 3 UK pounds. I'm trying to keep my promises of having new pee sounds pages and here is my latest, these are my hissing sounds guys. The shortest one is a minute and the longest one is 2. Once, I was curious and got up and turned off the faucet and listened quietly at the door. It got deathly quiet in that room I waited I remember my ex fiance. He was loud. My bathroom in my bedroom has no door. It is an arch doorway and was made that way. I have noticed that not all women pee the same and some are louder. Some like me spread to pee. I can be quite by hitting the inside of the potty. While some don't spread and you can tell. It doesn't turn me on but it doesn't turn me off either. I just notice it. Discussions It's kinky and I love it! Kinky Watersports. Post number 1. Post number 2. It sounds like you need a girlfriend to pee for you. Post number 3. Post number 4. Love listening to guys piss- the hard stream hitting the back of the toilet. Post number 5. Post number 6. Post number 7. Post number 8. Post number 9. Amy K — You naughty girl, you share one of my wife's kinks. Post number .

All participants Peeing all over hiss their consent in written form for study 2a, and online for study 2b prior Peeing all over hiss participating in the study. A total of participants were recruited by flyers, email contacts, and Facebook posts, who then rated the words either for valence or for arousal.

All participants reported normal or corrected-to-normal vision and were native German speakers. Words were presented visually. Participants were instructed that they would have to suppress the meaning of words and only pay attention to their sound, and this was repeatedly emphasized through the instruction process. Words were randomly divided into 8 different lists each of which included about items.

Words were then rated on both affective sound of valence and affective sound of arousal by different groups of participants in order to exclude the possibility of mutual influence Peeing all over hiss valence and arousal ratings. The items were randomly presented to minimize primacy or recency effects. On continue reading, the tasks were completed in approximately 25 minutes.

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